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The Prayers of Socrates

Phronesis 16 (1):14-37 (1971)

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  1. The Erotic Charms of Platonic Discourse: Mythmaking, Love Potions, and Role Reversals.Dana Trusso - 2015 - Dissertation, Duquesne University
    Socrates engages his audience in Phaedrus with speeches that include revised or newly composed myths that express his theory of philosophical eros. The aim of the speeches is to generate a love for truth that spills over into dialogue. Speeches are a starting point for dialogue, just like physical attraction is the beginning of love. In the case of Phaedrus, the beginning of philosophy is portrayed using playful and rhetorically rich speeches that serve as "love potions" awakening the novice's soul, (...)
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  • Iamblichus and the foundations of late platonism.Eugene V. Afonasin, John M. Dillon & John Finamore (eds.) - 2012 - Boston: Brill.
    Drawing on recent scholarship and delving systematically into Iamblichean texts, these ten papers establish Iamblichus as the great innovator of Neoplatonic philosophy who broadened its appeal for future generations of philosophers.
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  • Starting from the Muses: Engaging Moral Imagination through Memory’s Many Gifts.Guy Axtell - 2021 - In Brian Robinson (ed.), The Moral Psychology of Amusement. Lanham, Maryland: Moral Psychology of the Emotio.
    In Greek mythology the Muses –patron goddesses of fine arts, history, humanities, and sciences– are tellingly portrayed as the daughters of Zeus and Mnemosyne, the goddess Memory, who is of the race of Titans, older still than Zeus and other Olympian deities. The relationship between memory and such fields as epic poetry, history, music and dance is easily recognizable to moderns. But bards/poets like Homer and Hesiod, who began oral storytelling by “invoking the Muses” with their audience, knew well that (...)
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