This article compares the status of sexual and cultural difference in Luce Irigaray's earliest work and her most recent publication Between East and West (2002), in which Irigaray argues that a culture of sexual difference would facilitate improved structural relations between those of different cultures, races and traditions. Many commentators have argued that Irigaray's recent, more simple formulations on legal reform must be understood in the context of the early, very complex Irigarayan concept of sexual difference. But what about Irigaray's (...) recent formulations concerning cultural difference? Are we to understand these as based on an `aporia' of recognition, as are her formulations on sexual difference? The article argues against such an interpretation, and considers problems arising from the disjunction between Irigaray's treatment of sexual and cultural difference. (shrink)

This article examines the intelligibilities and unintelligibilities through which the sense and nonsense of the male body in its sexual relations with other male bodies is made in law. Taking as its point of departure a recent high profile prosecution against seven men, `the Bolton Seven', for consensual sexual relations, its particular focus is the metaphors of space through which the truth of this male body is imagined within the law. The article examines the simultaneous production of various spatio-corporeal regimes (...) within the specific context of English law. Through these regimes the flesh is made law and law is made flesh. (shrink)

The aim of this article is to flesh out gender by drawing connections between the experience of pain and the experience of womanhood. The article builds upon two themes in feminist work (the constitution of woman through her effacement, and the inscription of gender on the body) and proposes to analyse `effacement' in terms of an embodied sense of being `gutted out', or made `immaterial'. I use this imagery of `gutting out' to suggest that effacement is experienced through the body, (...) and in terms of the presence of pain rather than merely in terms of lack or absence (of voice or subjectivity). Thus I share the view that gender is performed through inscriptions on the body, but I argue that this work of gendering involves hurting and injuring women's bodies; and it is this pain that I attend to in the article. I draw upon Scarry's analysis of the body in pain as a symbolic framework to discuss the pain of womanhood in terms of the annihilation of the self as it is engulfed in a mass of hurting flesh. (shrink)