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  1. Genetinis diskursas medijų kultūroje: Gundymas prekiniu nemirtingumu.Vytautas Rubavičius - 2009 - Problemos 76:52-65.
    Straipsnyje grindžiama nuomonė, jog postmodernybė yra iš modernybės kylantis kapitalizmo sistemos būvis, kuriam būdinga gyvybės suprekinimas ir suišteklinimas. Postmodernybę charakterizuoja populiariosios ir medijų kultūros išplitimas. Tos kultūros apima ne tik kultūros prekes, bet ir vartojimo būdus, įgūdžius ir jų lavinimą. Pastaruoju metu jos kuria nemirtingumo vaizdiniams bei nuojautoms palankią kultūrinę, intelektinę ir pasaulėvaizdinę terpę, kurioje struktūriškai įsitvirtina genetinis diskursas ir jo nustatomos žmogaus ir jo gyvenamo pasaulio aiškinimo gairės. Svarbus šio diskurso bruožas yra technologinis inžinerinis jo pobūdis, išryškėjęs susiejant nano (...)
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  • Revolution in the Event: The Problem of Kairós.Roland Boer - 2013 - Theory, Culture and Society 30 (2):116-134.
    This article undertakes a dual task. The first is to argue that the various positions of major Marxist thinkers on revolution may be gathered under the common framework of kairós, understood as a resolutely temporal term relating to the critical time, the opportune moment that appears unexpectedly and must be seized. The second task is to question the nature of kairós in terms of its biblical, class and economic residues. An investigation of the use of the term in classical Greece (...)
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  • Ice, fire and flood: Science fiction and the Anthropocene.Andrew Milner, Burgmann Jr, Rjurik Davidson & Susan Cousin - 2015 - Thesis Eleven 131 (1):12-27.
    Despite the occasional upsurge of climate change scepticism amongst conservative politicians and journalists, there is a near-consensus amongst scientists that current levels of atmospheric greenhouse gas are sufficient to alter global weather patterns to possibly disastrous effect. Like the hole in the ozone layer as described by Bruno Latour, global warming is a ‘hybrid’ natural-social-discursive phenomenon. And science fiction seems to occupy a critical location within this nature/culture nexus. This paper takes as its subject matter what Daniel Bloom dubs ‘cli-fi’. (...)
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  • Senses of the Future: Conflicting Ideas of the Future in the World Today.Gerard Delanty - 2024 - De Gruyter.
    The future has become a problem for the present. Almost every critical issue is now understood and experienced through the prism of the future since this is the primary focus for the playing out of crises. Senses of the Future offers a wide-ranging discussion of theories of the future. It covers the main ideas of the future in modern thought and explores how we should view the future today in light of a plurality of very different and conflicting visions. The (...)
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  • Manfredo Tafuri, Fredric Jameson and the Contestations of Political Memory.Gail Day - 2012 - Historical Materialism 20 (1):31-77.
    The Italian architectural historian Manfredo Tafuri developed a distinctive Marxist approach of critical analysis, which has prompted extensive responses. The reception of his work in the United States in the 1970s and 80s – the intervention of Fredric Jameson, especially – forms an important moment of historiographical mutation, in which the status of Tafuri’s politics holds an intriguing place: it was eviscerated in the very act of its affirmation. At stake is not simply the problems attending the transatlantic migration of (...)
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  • Dub, Utopia and the Ruins of the Caribbean.Joe P. L. Davidson - 2022 - Theory, Culture and Society 39 (1):3-22.
    The weathered stone, collapsed lintels and hollow roofs of the ruin have long evoked a sense of pathos, standing as monuments to the disastrous contours of history and the possibility of alternative futures. In this article, I ask: What is the meaning of the ruin in the postcolonial context of the Caribbean? There are few physical ruins in the Caribbean, resulting in a feeling of lack: the architectural landscape fails to speak to the catastrophes of slavery and colonialism. Dub, a (...)
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  • Reproducing Whiteness: Feminist Genres, Legal Subjectivity and the Post-racial Dystopia of The Handmaid’s Tale (2017-).Karen Crawley - 2018 - Law and Critique 29 (3):333-358.
    This article investigates the critical potential of a contemporary dystopia, The Handmaid’s Tale (Miller 2017-), a U.S. television series adapted from a popular novel by Canadian author Margaret Atwood (1985). The text is widely understood as a feminist intervention that speaks to ongoing struggles against gender oppression, but in this article I consider the invitations that the show offers its viewers in treating race the way that it does, and consider what it means to refuse these invitations in pursuit of (...)
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  • Expert views about missing AI narratives: is there an AI story crisis?Jennifer Chubb, Darren Reed & Peter Cowling - forthcoming - AI and Society.
    Stories are an important indicator of our vision of the future. In the case of artificial intelligence, dominant stories are polarized between notions of threat and myopic solutionism. The central storytellers—big tech, popular media, and authors of science fiction—represent particular demographics and motivations. Many stories, and storytellers, are missing. This paper details the accounts of missing AI narratives by leading scholars from a range of disciplines interested in AI Futures. Participants focused on the gaps between dominant narratives and the untold (...)
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  • The Whiteness of AI.Stephen Cave & Kanta Dihal - 2020 - Philosophy and Technology 33 (4):685-703.
    This paper focuses on the fact that AI is predominantly portrayed as white—in colour, ethnicity, or both. We first illustrate the prevalent Whiteness of real and imagined intelligent machines in four categories: humanoid robots, chatbots and virtual assistants, stock images of AI, and portrayals of AI in film and television. We then offer three interpretations of the Whiteness of AI, drawing on critical race theory, particularly the idea of the White racial frame. First, we examine the extent to which this (...)
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  • “Harmony and Dissonance”: The Musical Perspective on Posthumanity.Anna Bugajska - 2019 - Eidos. A Journal for Philosophy of Culture 3 (3):14-28.
    This paper explores the role of music as a communicative tool between the human and the posthuman. It utilizes the theories of embodiment and performativity of Karen Barad and Deniz Peters, as well as the perspectives of Continental Realism and contemporary phenomenology. The examples are drawn from a range of pieces of speculative fiction: dystopia, biopunk and science-fiction. It is shown that the authors bring to attention the enharmonic quality of the relationship between the ALife and its creators and advocate (...)
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  • From Ideal to Future Cities: Science Fiction as an Extension of Utopia.Ugo Bellagamba - 2016 - Philosophy and Technology 29 (1):79-96.
    The future is not a new idea. The philosophers of the Enlightenment freed it of the historic wrappings of Christian eschatology and the notion of Providence itself by rationalising the idea of progress, the possible improvement of Mankind and the terrestrial city that stemmed from it. Making use of the Renaissance, the utopian authors transformed spiritual preparation for the end of time into a view of material, earthly delight made possible by science and scientific research. This ideal was certainly embodied (...)
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  • Speculative Fiction and the Political Economy of Healthcare: Chang-Rae Lee’s On Such a Full Sea.Phillip Barrish - 2019 - Journal of Medical Humanities 40 (3):297-313.
    Chang-Rae Lee’s 2014 novel On Such a Full Sea uses the genre of speculative fiction to reflect on longstanding healthcare debates in the United States that have recently crystalized around the Affordable Care Act. The novel imagines the political economy of healthcare in a future America devastated by environmental illness. What kind of care is available and to whom? Who provides it? Who pays for it? What about distribution and access? The different healthcare systems governing each of three geo-social zones (...)
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  • Speculative Fiction and the Political Economy of Healthcare: Chang-Rae Lee’s On Such a Full Sea.Phillip Barrish - 2019 - Journal of Medical Humanities 40 (3):297-313.
    Chang-Rae Lee’s 2014 novel On Such a Full Sea uses the genre of speculative fiction to reflect on longstanding healthcare debates in the United States that have recently crystalized around the Affordable Care Act. The novel imagines the political economy of healthcare in a future America devastated by environmental illness. What kind of care is available and to whom? Who provides it? Who pays for it? What about distribution and access? The different healthcare systems governing each of three geo-social zones (...)
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  • Daniel Bensaïd, Melancholic Strategist.Josep Maria Antentas - 2016 - Historical Materialism 24 (4):51-106.
    Daniel Bensaïd was a Marxist philosopher and author of an extensive body of works about political strategy. His writings combine a diversity of singular influences, such as Marx, Lenin, Trotsky and Che Guevara on the one hand, and Benjamin, Péguy and Blanqui on the other. In his work, religious heresies, Marranos, moles and emblematic figures of the resistance to oppression such as Joan of Arc meet with the classic figures of Marxism. The non-linear concept of time and messianic reason support (...)
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  • The art of the impossible: Utopia and instrumentalism in contemporary electoral politics.Gabriel Hetland - forthcoming - Theory and Society:1-34.
    Utopian dreams of a fundamentally different world would seem to have little place in the de-radicalized political arena of the post-communist age. This article challenges this idea by ethnographically examining three cases of electoral politics in the contemporary United States, which can be seen as a “least likely” context for electoral utopianism. Evidence from these cases – the 2008 Obama campaign, 2016 Sanders campaign, and local organizing work of the Green Party – is used to make three claims: utopianism is (...)
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  • Novel Neurotechnologies in Film—A Reading of Steven Spielberg’s Minority Report.Timothy Krahn, Andrew Fenton & Letitia Meynell - 2009 - Neuroethics 3 (1):73-88.
    The portrayal of novel neurotechnologies in Steven Spielberg’s Minority Report serves to inoculate viewers from important moral considerations that are displaced by the film’s somewhat singular emphasis on the question of how to reintroduce freedom of choice into an otherwise technology driven world. This sets up a crisis mentality and presents a false dilemma regarding the appropriate use, and regulation, of neurotechnologies. On the one hand, it seems that centralized power is required to both control and effectively implement such technologies (...)
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  • Acting as if: the utopian political thought and actions of the US disability rights movement.Gisli Vogler - forthcoming - Contemporary Political Theory:1-20.
    This article studies the response of the US disability community to the prevalent assumption that disabled people do not have a future, in the form of the disability rights movement. It provides an exploratory discussion of the key role played by utopianism in the response. In doing so, the article adds to critical theorizing on the importance of utopia to the oppression of non-dominant groups and to transcending that oppression. I use utopian studies scholarship to interpret the activities leading up (...)
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  • Bleak dreams, not nightmares.Mathias Thaler - 2019 - Constellations 26 (4):607-622.
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  • Beyond Higher Education as We Know it: Gesturing Towards Decolonial Horizons of Possibility.Sharon Stein - 2018 - Studies in Philosophy and Education 38 (2):143-161.
    This article addresses the conceptual challenges of articulating the ethical–political limits of ‘higher education as we know it’, and the practical challenges of exploring alternative formations of higher education that are unimaginable from within the dominant imaginary of the higher education field. This article responds to the contemporary conjuncture in which possible futures have been significantly narrowed, and yet these possibilities also appear increasingly unsustainable and unethical. It invites scholars of higher education to rethink the epistemological and ontological frames within (...)
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  • Utopia of abstraction: Digital organizations and the promise of sovereignty.Max Soar & Tim Corballis - 2022 - Big Data and Society 9 (1).
    Digital organizations form part of the new wave of blockchain technologies, following Bitcoin and related cryptocurrencies. “Utopia ofion” offers an analysis of the utopian promise of digital organizations through a reading of one such project, Colony. We provide a critique of the ideology of Colony's white paper, supplemented by readings of pages from its website, as a member of a genre of texts that promote their products through seemingly neutral, technical descriptions. Colony's texts suggest an abstract, contextless and scaleless organizational (...)
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  • Utopía e ironía en el contexto de Tomás Moro.Juan Antonio Sánchez - 2011 - Revista de Filosofía (Madrid) 36 (1):29-51.
    La concepción más común de lo utópico es la de aquella entidad social que, por su misma perfección, no puede darse en la realidad. Esa concepción, que se ha impuesto en el pensamiento moderno y contemporáneo, suele aplicarse, asimismo, a la obra de Tomás Moro, Utopia, en la que se suele ver un estado perfecto pero relegado a la geografía fantástica de lo que podría ser pero nunca será, razón por la cual el humanista ha situado su sociedad en una (...)
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  • Scintillant Cities: Glass Architecture, Finance Capital, and the Fictions of Macau’s Enclave Urbanism.Tim Simpson - 2013 - Theory, Culture and Society 30 (7-8):343-371.
    This article analyzes articulations among urban enclaves, finance capital, and glass architecture by exploring MGM’s corporate investments in the Las Vegas CityCenter development and the Chinese enclave of Macau. CityCenter is an unsuccessful $9 billion master-planned urban community financed by MGM and Dubai World. Macau is a former Portuguese colony and Special Administrative Region of the People’s Republic of China which has, since its return to the PRC in 1999, replaced Las Vegas as the world’s most lucrative site of casino (...)
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  • The utopian shadow of normative reconstruction.M. T. C. Shafer - 2018 - Constellations 25 (3):406-420.
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  • Dialectical Passions: Negation in Postwar Art Theory, Gail Day, New York: Columbia University Press, 2010.Benjamin Noys - 2012 - Historical Materialism 20 (3):137-144.
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  • Introduction to the special issue on science fiction.Andrew Milner & Sean Redmond - 2015 - Thesis Eleven 131 (1):3-11.
    This introduction to a special issue of Thesis Eleven devoted to science fiction begins by exploring the way the genre has been handled by German and French critical theory and their Anglophone equivalents. It proceeds to a discussion of the historical sociology of the genre and, thence, to an account of what it terms the dialectic of science fiction endangerment. Finally, it concludes with a brief overview of the various contributions to the issue.
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  • It’s the Conscience Collective, Stupid: Philosophical Aesthetics and the Sociology of Art.Andrew Milner - 2010 - Thesis Eleven 103 (1):26-34.
    The article begins with a sociologically triumphalist critique of philosophical aesthetics, grounded in the work of Ernest Gellner and Emile Durkheim. It proceeds to note the practical failure of this kind of sociology to become institutionalized within the wider discipline. It explores a number of possible explanations for this failure, but finally suggests that a normalized sociology of art requires a normalized conception of art itself, such as that tentatively advanced by Pierre Bourdieu and Franco Moretti. The article also has (...)
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  • The Architecture of Potentiality: Weak Utopianism and Educational Space in the Work of Giorgio Agamben.Tyson Edward Lewis - 2012 - Utopian Studies 23 (2):355-373.
    Italian critical theorist Giorgio Agamben is well known for his rigorous attempts to redefine political, aesthetic, and theological concepts through messianic categories. For Agamben, the messianic is not concerned with perpetual waiting for a savior to come and redeem the world. Rather, it concerns the radically open potentiality for action within the contemporary moment. While the temporality of the messianic moment has been emphasized both by Agamben and by the vast secondary literature that has provided ample reflections on his body (...)
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  • Pedagogies from No‐Where, a Review of Edutopias: New Utopian Thinking in Education.Tyson Lewis - 2007 - Educational Philosophy and Theory 39 (2):216–220.
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  • Pedagogies from No‐Where, a Review of Edutopias: New Utopian Thinking in Education.Tyson Lewis - 2007 - Educational Philosophy and Theory 39 (2):216-220.
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  • Pragmatism, utopia and anti-utopia.Ruth Levitas - 2008 - Critical Horizons 9 (1):42-59.
    This paper explores the tension between pragmatism and utopia, especially in the concept of "realistic utopianism". It argues that historically, the pragmatic and gradualist rejection of utopia has been anti-utopian in effect, notably in the case of Popper. More recent attempts to argue in favour of "realistic utopianism" or its equivalent, by writers such as Wallerstein and Rorty are also profoundly anti-utopian, despite Rorty's commitment to "social hope". They co-opt the terminology of utopia to positions that are antagonistic to radical (...)
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  • Discovering Paradise Islands: The Politics and Pleasures of Feminist Utopias, a Conversation.Helen M. Kinsella, Justin Hall & Ramzi Fawaz - 2017 - Feminist Review 116 (1):1-21.
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  • What is a posthumanist reading?Stefan Herbrechter & Ivan Callus - 2008 - Angelaki 13 (1):95 – 111.
    Do we like this word, “annihilating”?1 The claim we are making is very simple. It is possible to read “texts,” in the widest sense attributed to this word by poststructuralism, through the way they...
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  • Dilemmas of Political Agency and Sovereignty: The Omelian Allegory.Annabel Herzog - forthcoming - Theory, Culture and Society:026327642096743.
    This essay is a political reading of Ursula K. Le Guin’s ‘The Ones Who Walk Away from Omelas’, which examines agency and resistance in situations of political wrong. Le Guin’s short story allows us to reformulate the questions of the boundaries of popular sovereignty and the opposition to general consent. These concerns will be here regarded as elements of a critique of neoliberal capitalism, in which freedom and self-realization are founded on injustices that persist because of a prevalent conception of (...)
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  • Deleuze, Žižek, Spring Breakers and the Question of Ethics in Late Capitalism.Jenny Gunn - 2018 - Film-Philosophy 22 (1):95-113.
    This article examines Harmony Korine's 2012 film, Spring Breakers. Arguing that Korine's film explores the bankruptcy of ethics in advanced capitalism, the article considers two predominate and contrasting theories of contemporary subjectivity: Slavoj Žižek's psychoanalytically-inspired conception of the subject as radical lack and Deleuze's affirmation of the subject through attention to affect and the virtual. In reference to Kant's radical reformulation of the moral law as an empty and tautological form with the concept of the categorical imperative, this article shows (...)
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  • Schelling, Hegel, and Evolutionary Progress.J. M. Fritzman & Molly Gibson - 2012 - Perspectives on Science 20 (1):105-128.
    This article presents Schelling’s claim that nature has an evolutionary process and Hegel’s response that nature is the development of the concept. It then examines whether evolution is progressive. While many evolutionary biologists explicitly repudiate the suggestion that there is progress in evolution, they often implicitly presuppose this. Moreover, such a notion seems required insofar as the shape of life’s history consists in a directional trend. This article argues that, insofar as a notion of progress is indeed conceptually ineliminatable from (...)
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  • Review Essay: `No, We Have Not Finished Reflecting On Communism':1 Beyond Post-Socialism.Chamsy el-Ojeili - 2008 - Thesis Eleven 93 (1):110-129.
    Review Essay: `No, We Have Not Finished Reflecting On Communism':1 Beyond Post-Socialism: Sebastian Budgen, Stathis Kouvelakis and Slavoj Zižek , Lenin Reloaded: Toward a Politics of Truth ; Cornelius Castoriadis, The Rising Tide of Insignificancy ; Cornelius Castoriadis, Figures of the Thinkable ; Filip Kovacevic, Liberating Oedipus? Psychoanalysis as Critical Theory ; Claude Lefort, Complications: Communism and the Dilemmas of Democracy.
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  • Simmel’s Perfect Money: Fiction, Socialism and Utopia in The Philosophy of Money.Nigel Dodd - 2012 - Theory, Culture and Society 29 (7-8):146-176.
    This article explores the notion of ‘perfect’ money that Simmel introduces in The Philosophy of Money. Its aim is twofold: first, to connect this idea to his more general arguments about the nature of society and the ambivalence of modernity, and, second, to assess its relevance for contemporary debates about the future of money, especially following the global financial crisis. I argue that Simmel’s concept of perfect money can be understood as utopian in two senses, conceptual and ethical, that correspond (...)
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  • Cornelius Castoriadis’ agonistic theory of the future of work at Amazon Mechanical Turk.Tim Christiaens - 2024 - Distinktion: Journal of Social Theory 1 (1):1-20.
    Digital innovations are rapidly changing the contemporary workplace. Big Tech companies marketing algorithmic management increasingly decide on the Future of Work. Political responses, however, often focus on managing the impact of these technologies on workers. They leave the question of how these technologies are designed or how workers can determine their own futures unanswered. This approach risks surrendering the Future of Work debate to techno-determinist imaginaries aligned with corporate interests. Using Cornelius Castoriadis’ early writings on worker struggles in French Tayloristic (...)
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  • The Desire for Immortality: The Posthuman Bodies in Ken Liu’s The Waves.Junge Dou - 2023 - Journal of Science Fiction and Philosophy 6.
    In the industrial era, advanced science and technology make immortality-obsessed human beings constantly develop, modify, and reshape their bodies and consciousness, to overcome the fragility and transience of their bodies and approach the dream of immortality. The transformation of the body, in turn, drives society to confront the co-existence of cyborg, transhuman, information subject, nomadic posthuman and other life forms. Focusing on Chinese-American writer Ken Liu’s science fiction the Future Trilogy, Arc, and The Waves, this paper attempts to explore the (...)
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