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  1. Non-ontological Structuralism†.Michael Resnik - 2019 - Philosophia Mathematica 27 (3):303-315.
    ABSTRACT Historical structuralist views have been ontological. They either deny that there are any mathematical objects or they maintain that mathematical objects are structures or positions in them. Non-ontological structuralism offers no account of the nature of mathematical objects. My own structuralism has evolved from an early sui generis version to a non-ontological version that embraces Quine’s doctrine of ontological relativity. In this paper I further develop and explain this view.
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  • Models as Universes.Brice Halimi - 2017 - Notre Dame Journal of Formal Logic 58 (1):47-78.
    Kreisel’s set-theoretic problem is the problem as to whether any logical consequence of ZFC is ensured to be true. Kreisel and Boolos both proposed an answer, taking truth to mean truth in the background set-theoretic universe. This article advocates another answer, which lies at the level of models of set theory, so that truth remains the usual semantic notion. The article is divided into three parts. It first analyzes Kreisel’s set-theoretic problem and proposes one way in which any model of (...)
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  • On arbitrary sets and ZFC.José Ferreirós - 2011 - Bulletin of Symbolic Logic 17 (3):361-393.
    Set theory deals with the most fundamental existence questions in mathematics—questions which affect other areas of mathematics, from the real numbers to structures of all kinds, but which are posed as dealing with the existence of sets. Especially noteworthy are principles establishing the existence of some infinite sets, the so-called “arbitrary sets.” This paper is devoted to an analysis of the motivating goal of studying arbitrary sets, usually referred to under the labels of quasi-combinatorialism or combinatorial maximality. After explaining what (...)
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  • Deleuze’s zeroness and Peirce’s pure zero regarding the expansion of semiotics’ categorial frame.Helio Rebello Cardoso Jr - 2024 - Semiotica 2024 (258):1-23.
    Deleuze (1925–1995), in the early 1980s, adopts Peirce’s (1839–1914) semiotics in order to classify the signs that the images of the cinema display. Aiming at insufflating the Peircean principles with the movement that animates the images of cinema, he provides Peirce’s triadic logic with a new category – Zeroness – which stands for the semiotic movement of cinematic images. Deleuze’s new category has impacts on the main domains of Peirce’s philosophy. Accordingly, our inquiry will focus on the irradiation of Zeroness (...)
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