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In substituting aesthetic criteria for the time-honoured yardsticks of reliability, validity and generalization, narrative researchers are sometimes criticized for devaluing the notion of truth. This paper suggests that what is an issue here is not so much empirical quantitative truth as rather artistic literary truth. The latter notion of truth is characterized in terms of ‘authenticity’ and the ramifications of authentic truth for narrative research are posited and explored. Only such an understanding of truth and the resolve seriously to apply (...) |
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In substituting aesthetic criteria for the time-honoured yardsticks of reliability, validity and generalization, narrative researchers are sometimes criticized for devaluing the notion of truth. This paper suggests that what is an issue here is not so much empirical quantitative truth as rather artistic literary truth. The latter notion of truth is characterized in terms of ‘authenticity’ and the ramifications of authentic truth for narrative research are posited and explored. Only such an understanding of truth and the resolve seriously to apply (...) |
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The conduct of research as guided by philosophical tenets of hermeneutics, in particular the hermeneutics of Hans-Georg Gadamer, is a complex and sophisticated endeavor. In this paper, we offer that one of the things that guides the inquiry is the topic and that most often topics for discovery arrive with the experience of an address. We discuss the notion of the address of the topic, how a researcher discerns a topic to be studied and, from this address, develops appropriate research (...) |
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In this paper I present an exemplar of interpretive writing based on my engagement with the movie, My Life as a Dog. The film is a series of vignettes about Ingemar, a young boy, who is processing the events which arise from the difficulties wrought by his mother’s illness. This is not the typical coming of age film where the child becomes an adult through the initiation into life’s painful circumstances. The film ends with the character still in his boyhood. (...) |
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