Physical objects are such things as stones, tables, trees, people and other animals: the persisting macroscopic constituents of the world we live in. therefore expresses a commonsense commitment to physical realism: the persisting macroscopic constituents of the world we live in exist, and are as they are, quite independently of anyone.

Early modern empiricists thought that the nature of perceptual experience is given by citing the object presented to the mind in that experience. Hallucination and illusion suggest that this requires untenable mind-dependent objects. Current orthodoxy replaces the appeal to direct objects with the claim that perceptual experience is characterized instead by its representational content. This paper argues that the move to content is problematic, and reclaims the early modern empiricist insight as perfectly consistent, even in cases of illusion, with the (...) realist contention that these direct objects of perception are the persisting mind-independent physical objects we all know and love. (shrink)

Divergent thinking as a creative ability and perceptual switching between different interpretations of an unchanging stimulus are thought to rely on similar processes. In the current study, we investigate to what extent task instructions and inherent stimulus characteristics influence participants’ responses. In the first experiment, participants were asked to give as many interpretations for six images as possible. In the second experiment, participants reported which of two possible interpretations they saw at any moment for the same line drawings. From these (...) two experiments, we extracted measures that allow us direct comparison between tasks. Results show that instructions have a large influence over the perception of images traditionally used in two different paradigms and that these images can be perceived in appropriate ways for both tasks. In addition, we suggest that the connection between the two phenomena can be explored interchangeably through three experimental manipulations: a) using a common set of images across both experiments, b) giving different task instructions for the two tasks, and c) extracting comparable metrics from both experimental paradigms. (shrink)

At the core of Dostoevskij's philosophy and theology lies a concept according to which the Truth (Istina) is antinomical: it contains both a thesis and its antithesis without expectation of synthesis. This concept can be traced to Eastern Patristics. After Dostoevskij, the theory of antinomies was elaborated by 20th century Russian religious thinkers such as Pavel Florenskij, Sergej Bulgakov, Nikolaj Berdjaev, Semën Frank, and Vladimir Losskij. Their ideas help us to understand that Dostoevskij's dialogism, made famous in its secular guise (...) by Bakhtin, has a theological underpinning. Dostoevskij's exposition of conflicting truths should therefore be seen not as a case of irresolvable contradiction or paradox but as an organic wholeness. (shrink)