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  1. „Werde, der du bist!“. Selbsterkenntnis, Handeln und Selbstgestaltung bei Nietzsche in einem Ineditum von Georges Canguilhem.Marco Brusotti - 2021 - Nietzsche Studien 50 (1):181-216.
    In an unpublished text from the early postwar period, Georges Canguilhem deals with Nietzsche’s maxim “Become who you are!” Is this “apparently contradictory formula of a philosopher full of contradictions” really only seemingly inconsistent? Canguilhem regards it as a norm whose supposed metaphysical or objective content dissolves upon further analysis. So he here discerns a new instance of the same potential confusion he had already addressed in his classical essay on The Normal and the Pathological (1943). According to him, the (...)
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  • The biographical approach in Karl Jaspers’ work: From philosophy of life to autobiography.Olga A. Vlasova - 2016 - Continental Philosophy Review 50 (4):479-492.
    This study considers the origins and characteristics of Karl Jaspers’ biographical approach. Specifically, we analyse how this approach manifests itself in Jaspers’ work, namely, in his understanding of psychology, his psychology of worldviews, his views on the history of philosophy and his philosophical method. The biographical approach was a central strategy in Jaspers’ work as an appeal to life and was closely linked with how Jaspers understood both philosophy and his thought. For Jaspers, biography could restore mental unity and reveal (...)
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  • Pippi Longstocking as Friedrich Nietzsche's overhuman.Michael Tholander - 2016 - Confero: Essays on Education, Philosophy and Politics 4 (1):97-135.
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  • Nietzsche and Schiller on Aesthetic Semblance.Timothy Stoll - 2019 - The Monist 102 (3):331-348.
    Nietzsche consistently valorizes artistic falsehoods. On standard interpretations, this is because art provides deceptive yet salutary fictions that help us affirm life. This reading conflicts, however, with Nietzsche’s insistence that life-affirmation requires untrammeled honesty. I present an alternative interpretation which navigates the interpretive impasse. With special attention to the influence of Friedrich Schiller, the paper argues for three claims: (1) Nietzsche does not hold that art is false because it “beautifies,” but because it produces mere semblances of, its objects; (2) (...)
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  • Hegel ve Nietzsche’nin Tarih Anlayışlarında “Büyük Karakterler”in Yeri.Haluk As̩ar - 2015 - Ethos: Dialogues in Philosophy and Social Sciences 8 (2).
    Tarih felsefeleri bağlamında düşünüldüğünde Hegel ve Nietzsche felsefeleri birbirine zıttır. Hegel için tarih, tin’in kendini açımladığı bir süreçtir. Bu süreçte us, tarihsel kişiliklerin istenç, tutku ve arzularını kendi amacını gerçekleştirmek için kullanır. Nietzsche’nin tarih görüşü ise tıpkı diğer görüşleri gibi tek bir amaca hizmet ediyormuş gibi görünmektedir. Bu da; yaşamı geliştirmek için etkin istencin önünün açılması ve bu sayede üstinsana varmak olarak değerlendirilebilir. Bu çalışmanın amacı da her iki filozofun tarih görüşlerini ele almakla birlikte tarihi yaratmada büyük kişiliklerin rolünü ortaya (...)
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  • Genealogi, interpretation, refleksion, Nietzches ide til en interpretationsfilosofi.Martin Pasgaard-Westermann - 2010 - Res Cogitans 7 (1).
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  • (1 other version)Vivir la filosofía: Sobre las derivaciones experimentales de la crítica nietzscheana a la educación y la cultura europea del siglo XIX.Maria Cecilia Barelli - 2022 - Revista de Filosofía (Madrid) 49 (1):1-21.
    En el presente trabajo, abordamos la obra de Friedrich Nietzsche con el objeto de analizar el modo en que su temprana crítica a las instituciones educativas alemanas y, específicamente, a la filosofía universitaria de su tiempo deriva de manera progresiva en los esbozos de una concepción tardía de la filosofía, fundada en la vida misma como medio de conocimiento a través del “experimento”. El diagnóstico nietzscheano es crítico y su resolución, un gran desafío para los futuros pensadores, a quienes les (...)
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