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Adorno

Harvard University Press (1984)

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  1. Totalitarian Space and the Destruction of Aura.Saladdin Ahmed - 2019 - Albany, NY, USA: SUNY Press.
    We live today within a system in which state and corporate power aim to render space flat, transparent, and uniform, for only then can it be truly controlled. The gaze of power and the commodity form are capable of infiltrating even the darkest of corners, and often, we invite them into our most private spaces. We do so as a matter of convenience, but also to placate ourselves and cope with the alienation inherent in our everyday lives. The resulting dominant (...)
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  • Architecture and music : on rhythm, harmony and order.Richard De la Riva - unknown
    This paper examines the relationship of architecture to music in terms of rhythm, harmony and order in both the Greek Antiquity and the early Middle Ages. These basic concepts are crucial because they emphasize 'fullness' of experience and demonstrate the extent to which our own regulating experience of the world has become empirical. The discussion thus places architectural theory within the movement of ideas between mythical thought and metaphysical construct; it places architectural practice within the movement between bodily experience and (...)
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  • (3 other versions)Theodor W. Adorno.Lambert Zuidervaart - 2008 - Stanford Encyclopedia of Philosophy.
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  • Body, Mimesis and Childhood in Adorno, Kafka and Freud.Matt F. Connell - 1998 - Body and Society 4 (4):67-90.
    The viscerally Freudian elements of Adorno's use of the concept of mimesis interweave with readings of Kafka in which certain thoughts about childhood play an important role. The first section of this article links biological mimicry with critical theory and art: both mimic what they criticize, while also conserving a repressed and childlike mimetic relationship with otherness and sexual difference. Adorno criticizes both the civilized repression of the mimetic impulse and its subsequently distorted return, a dialectic neglected by direct appeals (...)
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  • What it means to be a stranger to oneself.Olli-Pekka Moisio - 2009 - Educational Philosophy and Theory 41 (5):490-506.
    In adult education there is always a problem of prefabricated and in many respect fixed opinions and views of the world. In this sense, I will argue, that the starting point of radical education should be in the destruction of these walls of belief that people build around themselves in order to feel safe. In this connection I will talk about ‘gentle shattering of identities’ as a problem and a method of radical education. When we as adult educators are trying (...)
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  • Rebels on the Edge of the Abyss: The Early Frankfurt School and the Normative Basis of Critique: Martin Jay, Splinters in Your Eye: Frankfurt School Provocations; Peter E. Gordon, Migrants in the Profane: Critical Theory and the Question of Secularization. [REVIEW]Carmen Lea Dege - 2022 - Journal of Social and Political Philosophy 1 (2):223-233.
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  • (3 other versions)Theodor W. Adorno.L. Zuidevaart - forthcoming - Stanford Encyclopedia of Philosophy.
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  • Enlightenment as Tragedy: Reflections on Adorno's Ethics.Samir Gandesha - 2001 - Thesis Eleven 65 (1):109-130.
    This article argues that the figure of Oedipus lies at the heart of Horkheimer and Adorno's Dialectic of Enlightenment. Oedipus is the prototypical Aufklärer as no one can rival him in his courageous attempt to employ his own autonomous reason `without direction from another'; yet self-knowledge remains beyond his grasp. Indeed, Oedipus' obsessive drive to bring the truth to light ultimately leads him to put out his own eyes because he is unable to bear the sight of the catastrophe that (...)
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  • Reflections on the work of Anselm Kiefer.Daglind Sonolet - 1999 - Cultural Values 3 (1):28-53.
    Anselm Kiefer's project is it to evoke, and to distance, the mythifications of the national ‐past in order to make certain German artistic traditions fruitful once more. It is argued that he has succeeded in doing so with work creating a tension between the fascination for a taboo vision, denying identification through artistic means. Expressionist materiality, the figurative mode, woodcut, lyrical inscriptions, sculpture, bookmaking, original materials have been used in specific ways so as to create open‐ended works, confronting the viewer (...)
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  • A Mannheim for All Seasons: Bloor, Merton, and the Roots of the Sociology of Scientific Knowledge.David Kaiser - 1998 - Science in Context 11 (1):51-87.
    The ArgumentDavid Bloor often wrote that Karl Mannheim had “stopped short” in his sociology of knowledge, lacking the nerve to consider the natural sciences sociologically. While this assessment runs counter to Mannheim's own work, which responded in quite specific ways both to an encroaching “modernity” and a looming fascism, Bloor's depiction becomes clearer when considered in the light of his principal introduction to Mannheim's work — a series of essays by Robert Merton. Bloor's reading and appropriation of Mannheim emerged from (...)
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  • Adorno and Habermas on the Human Condition.Deborah Cook - 2002 - Journal of the British Society for Phenomenology 33 (3):236-259.
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  • The “new categorical imperative” and Adorno’s aporetic moral philosophy.Itay Snir - 2010 - Continental Philosophy Review 43 (3):407-437.
    This article offers a new interpretation of Adorno’s new categorical imperative : it suggests that the new imperative is an important element of Adorno’s moral philosophy and at the same time runs counter to some of its essential features. It is suggested that Adorno’s moral philosophy leads to two aporiae, which create an impasse that the new categorical imperative attempts to circumvent. The first aporia results from the tension between Adorno’s acknowledgement that praxis is an essential part of moral philosophy, (...)
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  • Adorno: The Recovery of Experience.Roger Foster - 2007 - State University of New York Press.
    Examines the role of experience within Adorno’s philosophy of language and epistemology.
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  • Fanon Pulls Out a Knife and Cuts Adorno’s Throat.Willem Schinkel & Rogier van Reekum - 2021 - Krisis 41 (2):76-78.
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  • Critical theory and pre-Fascist social thought.Georg Stauth - 1991 - [Singapore]: Dept. of Sociology, National University of Singapore, Republic of Singapore.
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  • Can architecture be barbaric?Yonca Hürol - 2009 - Science and Engineering Ethics 15 (2):233-258.
    The title of this article is adapted from Theodor W. Adorno’s famous dictum: ‘To write poetry after Auschwitz is barbaric.’ After the catastrophic earthquake in Kocaeli, Turkey on the 17th of August 1999, in which more than 40,000 people died or were lost, Necdet Teymur, who was then the dean of the Faculty of Architecture of the Middle East Technical University, referred to Adorno in one of his ‘earthquake poems’ and asked: ‘Is architecture possible after 17th of August?’ The main (...)
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