Feminist philosophers and philosophers drawing on the German tradition of social philosophy have recently converged in stressing the importance of the concept of reification?first explicitly discussed by György Lukács?for the diagnosis of contemporary social and ethical problems. However, importing a theoretical framework alien to Lukács? original discussion has often led to the conflation of reification with other social and ethical problems. Here it is argued that a coherent conception of reification, free of implausible Marxist and idealist trappings, can be recovered (...) from Lukács? original discussion of it: the socially induced distortion of experience such that what is in fact human action appears as mere natural happening. This phenomenon is to be distinguished from, firstly, instrumentalising objectification of persons and, secondly, person-identification failure, with which Martha Nussbaum and Axel Honneth respectively have equated reification in recent work. Reification, on the understanding of it recovered here, is problematic not just because it is an illusion, but also because it can render moral reasons for action or omission, and grounds of ethical evaluation, invisible to agents, and, moreover, because it can lead people to tolerate as inevitable undesirable situations which could in fact be changed. It can thus ground social criticism. (shrink)

Adorno's saying that ‘art is the promise of happiness’ radiates into every corner of his work from his aesthetic theory to his critical theory of society. However, it is much misunderstood. This can be seen from the standard answer to the question: in virtue of what formal features do art works, according to Adorno, promise happiness? The standard answer to this question suggests that the aesthetic harmony occasioned by the organic wholeness of the form realized in the artwork contrasts with (...) and throws into relief the antagonistic nature of society. The trouble is that this answer is flatly incompatible with Adorno's historicism and central components of his aesthetic modernism, including his critique of classicism, and his negativism. I propose a re-interpretation of Adorno's thesis that art is the promise of happiness that overcomes these difficulties. (shrink)

The work of Herbert Marcuse, unlike that of certain of his colleagues at the Institut für Sozialforschung, is most often maligned as being excessively positive and identitarian. His work on Freud, for example, is criticized for being grounded in a crude biological determinism which points towards an ultimate reconciliation of both psychic and social conflict. This essay will attempt to counter such readings by critically juxtaposing Marcuse’s concept of non-repressive sublimation with Cornelius Castoriadis’s understanding of psychic socialization. It will be (...) suggested that the affinities between Marcuse and Castoriadis’s appropriations of Freudian metapsychology reveals the degree to which the former can be read as a radical democratic thinker affirming the values of autonomy and creativity. This reading demonstrates that Marcuse has much to contribute to contemporary debates on the role of the aesthetic and the sensuous in democratic theory. (shrink)

This paper examines the implicit foundations of several theoretical propositions characteristic of the Marxist tradition in sociology. It argues that these propositions derive from self-contradictory critical premises which are paradoxes of Action Theory. Implicit in these premises is an ideal picture of social reality quite different from the one analytically described by Parsons. I suggest that Action Theory can provide conceptual tools needed to address some specific issues characteristic of the Marxist perspective and, moreover, offers a solution to some epistemological (...) problems raised by the authors who endorse the postmodern position in social sciences. (shrink)

This article sets out to compare reconstructivism and critical theory as two possible avenues for a normative science and technology studies discipline “after constructivism”. This investigation is pursued through a case study of a wireless network community in the Czech Republic. The case study focuses on a schism that erupted after some users attempted to commercialise an invention for sending data with visible light. Their enterprise was partly motivated by a larger, political aspiration of creating a decentralised communication infrastructure. Other (...) members in the Czech wireless network community opposed this attempt as they perceived commercialisation as more of a threat than an aid for their politics. I will argue that these conflicting viewpoints over the role of markets can also clarify the different, theoretical assumptions behind reconstructivism and critical theory, and give some direction for a future, normative STS discipline. (shrink)

WESTERN MARXISM by J. G. Merquior London: Paladin Books, 1986. 247pp., £3.95.