Disputes about how to understand intersectional relations often pivot around the tension between separateness and inseparability, where some scholars emphasize the need to separate between different intersectional categories while others claim they are inseparable. In this article the author takes issue with the either/or thinking that underpins an unnecessary and unproductive polarization in the debate over the in/separability of intersectional categories. Drawing on Roy Bhaskar’s dialectical critical realist philosophy, the author argues that we can think of intersectional categories as well (...) as different ontological levels as both distinct and unified and elaborates on the issue of how significance of the dialectical notion of unity-in-difference for intersectional studies. As part of the argument the author addresses the issue of what it actually means for something to be distinct or separate as opposed to inseparable or unified with something else, demonstrating that lack of clarity about this is at the heart of polarized arguments about separateness versus inseparability in intersectionality theory. (shrink)

This article examines one of the main epistemological frameworks that feminist theory has used for the past 30 years: essentialism and anti-essentialism. It explores what is at stake by continuing to use such perspectives within the late days of the early 21st century, and how it is linked to a performance of critical sophistication which has specific political consequences. Instead of seeing the body as essentialist, the author draws on two examples — popular musician Kate Bush and ontological ideas about (...) the Goddess — to present the body as immanent flesh. This has implications for thinking through different forms of relational and critical perspectives circulating in the current climate, and the author argues that the recent introduction of affect and the increasing interest in haptic knowledges is part of the immanent flesh’s potential for transforming knowledge and the wider world. (shrink)