W tekście zajmujemy się przeobrażeniami, jakie na przestrzeni wielu stuleci zaszły w rozumieniu uprawnień. W związku z tym interesują nas też zmiany w roli nadawanej skorelowanym z nimi obowiązkom oraz sprawiedliwości. Wychodząc od pierwotnego (obiektywnego) sensu praw jako przedmiotu sprawiedliwości, przechodzimy do nowożytnego podmiotowego (subiektywnego) ich rozumienia. Twierdzimy, że konsekwencją opisywanej transformacji jest zmiana struktury uzasadnienia praw. Mamy na myśli to, że prawa, pierwotnie uzasadniane regułami sprawiedliwości i równoważne obowiązkom, stały się od sprawiedliwości niezależne, a nawet, że tę ostatnią zaczęto (...) rozumieć jako regułę urzeczywistniania autonomicznie ustanawianych benefitów (czyli substancjalnie wziętych praw). (shrink)

This book presents a novel interpretation of Aristotle's account of how shame instils virtue, and defends its philosophical import. Shame is shown to provide motivational continuity between the actions of the learners and the virtuous dispositions that they will eventually acquire.

Moral virtue is, for Aristotle, a state to which an agent’s motivation is central. For anyone interested in Aristotle’s account of moral development this invites reflection on two questions: how is it that virtuous motivational dispositions are established? And what contribution do the moral learner’s existing motivational states make to the success of her habituation? I argue that views which demand that the learner act with virtuous motives if she is to acquire virtuous dispositions misconstrue the nature and structure of (...) the habituation process, but also obscure Aristotle’s crucial insight that the very practice of virtuous actions affords a certain discovery and can be transformative of an agent’s motivational states. Drawing attention, in Aristotle’s account, to an asymmetry between the agential perspective and the observation of others, I consider what the agential perspective affords the learner, and offer a novel interpretation of the role a learner’s existing motives play in her habituation. (shrink)

Name der Zeitschrift: Rhizomata Jahrgang: 5 Heft: 2 Seiten: 177-209.

Cette étude porte sur la notion aristotélicienne de vertu morale dans son sens strict, c’est‑à‑dire entendue comme médiété fixée relativement à nous. L’analyse et la critique des interprétations dites « quantitatives » d’une part, « relativistes » d’autre part, résultent en une clarification de la définition donnée par les Éthiques (cf. 1106b36‑1107a6 et 1227b8-9).

The task of corrective justice in Aristotle’s ethics is the rectification of harms or injuries resulting from voluntary or involuntary interactions between persons. However, the scope of this form of justice is not clear. In its widest conception it would include all harms done to a person against her will and without her fault. According to a narrower conception, instead, it is only an injury caused by an unjust or wrongful action that requires compensation. But in fact Aristotle distinguishes several (...) concepts of unjust action. As a result, the narrower conception appears in various versions which are discussed in this paper. (shrink)

This article is about the methodological remarks in Nicomachean Ethics 7.1, 1145b2–7, and the way they are carried out in the following chapters. I argue that the procedure therein described does not aim to establish consistency among a subset of endoxa, but to test and refine—by considering and resolving objections against them—endoxa that could enter into a nominal definition of continence and incontinence. The dialectical lineage of this discussion, if there is one, is to be found in the use of (...) the critical procedure of resolution that can be traced back to Topics and Sophistical Refutations. (shrink)

Simply by formulating a question about the nature of ancient Greek poetry or music, any modern English speaker is already risking anachronism. In recent years especially, scholars have reminded one another that the words ‘music’ and ‘poetry’ denote concepts with no easy counterpart in Greek. μουσική in its broadest sense evokes not only innumerable kinds of structured movement and sound but also the political, psychological and cosmic order of which song, verse and dance are supposed to be perceptible manifestations. Likewise, (...) ποίησις and the ποιητικὴ τέχνη can encompass all kinds of ‘making’, from the assembly of a table to the construction of a rhetorical argument. Of course, there were specifically artistic usages of these terms—according to Plato, ‘musical and metrical production’ was the default meaning of ποίησις in everyday speech. But even in discussions which restrict themselves to the sphere of human art, we find nothing like the neat compartmentalization of harmonized rhythmic melody on the one hand, and stylized verbal composition on the other, which is often casually implied or expressly formulated in modern comparisons of ‘music’ with ‘poetry’. For many ancient theorists the City Dionysia, a dithyrambic festival and a recitation of Homer all featured different versions of one and the same form of composition, a μουσική or ποιητική to which λόγοι, γράμματα and συλλαβαί were just as essential as ἁρμονία, φθόγγοι, ῥυθμός and χρόνοι. (shrink)

This paper discusses a classification of types of harm linked to actions concerning (in)justice. Although the starting point is Aristotelian practical philosophy, in this research this perspective is extended and criticised. Once a first approach to the object of the study (the harm that results for others from the agent's action or omission) has been defined, a classification of the types of harm will be established. In doing so, it will be shown where the Stagirite's proposition needs to be expanded, (...) qualified, and even corrected. In particular, a commonly overlooked element will be highlighted: that the most perverse effect of an injustice is to make the one who commits it unjust. (shrink)