In this paper I consider two related issues raised by Aristotle 's treatment of hearing and sounds. The first concerns the kinds of changes Aristotle takes to occur, in both perceptual medium and sense organs, when a perceiver hears a sounding object. The second issue concerns Aristotle 's views on the nature and location of the proper objects of auditory perception. I argue that Aristotle 's views on these topics are not what they have sometimes been taken to be, and (...) that when rightly understood they compare favourably in many respects with leading contemporary accounts. (shrink)

Aristotle sometimes claims that the perception of special perceptibles by their proper sense is unerring. This claim is striking, since it might seem that we quite often misperceive things like colours, sounds and smells. Aristotle also claims that the perception of common perceptibles is more prone to error than the perception of special perceptibles. This is puzzling in its own right, and also places constraints on the interpretation of. I argue that reading Alexander of Aphrodisias on perceptual error can help (...) to make good sense of both of Aristotle’s claims. (shrink)

This paper aims to identify several interpretive problems posed by the final part of DA II.11, where Aristotle intertwines the thesis that a sense is like a ‘mean’ and an explanation for the existence of a ‘blind spot’ related to the sense of touch, adding the further contention that we are capable of discriminating because the mean ‘becomes the other opposite’ in relation to the perceptible property being perceived. To solve those problems, the paper explores a novel interpretation of Aristotle’s (...) claims, arguing that they describe a homeostatic physiological reaction by which the sensory apparatus responds to perceptible stimuli. According to the proposed interpretation, such homeostatic reaction constitutes a necessary condition for perceiving what Aristotle refers to as ‘proper’ perceptible features, which include properties like ‘hot’ and ‘cold’ as well as colors and sounds. (shrink)

Scholarship on Aristotle’s theory of visual perception has traditionally held that Aristotle had a single, static, conception of light and that he believed that illumination occurred prior to and independent of the actions of colours. I contend that this view precludes the medium from becoming actually transparent, thus making vision impossible. I here offer an alternative to the traditional interpretation, using contemporary conceptual tools to make good philosophical sense of Aristotle’s position. I call my view the ‘ecological’ interpretation. It postulates (...) two conceptions of light: non-visible mobile propagated light and visible static illumination produced by the interaction of propagated light with the environment’s coloured textured surfaces. I argue that these contemporary conceptual tools can find a foothold in and consistently enrich Aristotle’s extant position and that, with their aid, we can restore coherence to his theories of light and vision. (shrink)

A lot of scholarly attention has been given to Aristotle’s account of how and why animals are capable of moving themselves. But no one has focused on the question, whether self-change is possible in plants on Aristotle’s account. I first give some context and explain why this topic is worth exploring. I then turn to Aristotle’s conditions for self-change given in Physics VIII.4, where he argues that the natural motion of the elements does not count as self-motion. I apply those (...) conditions to natural change in plants. Then I explore the reasons for and consequences of Aristotle’s argument that plants are incapable of sensation. I argue that for Aristotle plants cannot possess the directing faculties for self-change, namely, desire and phantasia. My goal is to show why growth, metabolism, and reproduction in plants would not count as self-change for Aristotle, despite many of these natural changes appearing as autonomous as the analogous changes in animals. This sheds light on how, for Aristotle, self-change differs from natural change. (shrink)

Sense experience, naïvely conceived, is a way of knowing perceptible properties: the colors, sounds, smells, flavors, and textures in our perceptual environment. So conceived, ordinary experience presents the perceiver with the essential nature of a property like Sky Blue or Middle C, such that how the property appears in experience is identical to how it essentially is. In antiquity, as today, it was controversial whether sense experience could meet the conditions for knowledge implicit in this naïve conception. Aristotle was a (...) partisan in this debate, but his position is poorly understood. This dissertation examines how Aristotle’s perceptual psychology responds to ancient challenges to the naïve conception, and so articulates his defense of perceptual knowledge. -/- Aristotle’s defense relies on an ontology of “perceptual qualities"—a core class of perceptible properties—according to which those qualities, despite having a perceiver-independent essence rooted in the physics of causation and affection, nevertheless can be present in experience as they essentially are. Chapter 1 defends this realist and objectivist reading against competing interpretations, which overlook a crucial distinction between perceptual qualities and perceptual objects. Chapter 2 presents Aristotle’s ontology as a physicalism that uncharacteristically allows for perceptual qualities to appear in experience as they essentially are. -/- This ontology informs Aristotle’s account of the psychological conditions under which perceivers actually are presented with the essence of perceptual qualities. The locus of this account is an obscure passage where Aristotle purports to show that the senses “discriminate” perceptual qualities because the senses are “mean states” (An. 2.11, 424a5–7). Chapter 3 develops a comprehensive interpretation of the sensory mean state, which Chapter 4 uses to elucidate Aristotle’s argument for sensory discrimination. Sensory discrimination turns out to be a process in which the essence of a perceptual quality comes to be present in the affection it produces in a perceiver. For Aristotle, this shows that sense perception meets a condition for knowledge that his predecessors, including Plato, thought it could not meet. For in his view, but not in theirs, sense experience shares in both the truth and the essence of the qualities it perceives. (shrink)

This doctoral thesis addresses a group of conceptual instruments that are central to Aristotle's philosophy, namely, the concepts of pros hen, homonymy, synonymy and multivocity. These instruments are crucial to many of Aristotle's works as he devotes himself to analysing the key notions in each of his investigations using these instruments. Despite the undisputable importance of these instruments, they display severe interpretative problems, which this thesis critically evaluates. The currently established view on the relationship between homonymy and multivocity is discussed (...) and then reassessed in order to approach the definition of the so-called pros hen structure. This approach takes into account a so-far undescribed distinction of types of examples Aristotle uses and sheds new light on the assessments of the role of the pros hen structure in Aristotle’s philosophy and the theories on development in Aristotle’s thought. Niels Tolkiehn studied Philosophy and Systematic Musicology at the University of Hamburg. He continued his studies as a doctoral student at the Munich School of Ancient Philosophy, a graduate school of the Ludwig-Maximilians-Universität München. Supervised by Prof. Dr. Christof Rapp, he was awarded his doctoral degree in 2019 with this dissertation. (shrink)