Scientific explanation is both instrumental and consummatory. When we experience scientific explanation in its consummation, we experience what I have deemed a creative moment of scientific apprehension, which is an important aspect of creativity that comes at the end of inquiry and contributes to the development of future inquiry. Because scientific explanation is commonly cleaved from aesthetic experience, this moment of creativity has been neglected in both analyses of scientific practice and analyses of aesthetic experience. By synthesizing John Dewey’s conceptions (...) of scientific explanation and aesthetic experience with Charles S. Peirce’s categories, this moment of scientific inquiry is revealed and understood as a fundamental part of our creative reasoning process. In order to argue that scientific explanation is both instrumental and consummatory, Dewey’s instrumental conception of scientific explanation is provided, which includes why science is so often considered as separated from aesthetic experience. A general overview of Dewey’s conception of aesthetic experience and the common division conceived between scientific experience and that of aesthetics is also provided. Reasons are then supplied to reconsider scientific experience as having an aesthetic dimension, especially with regard to scientific explanations and the creative moment of scientific apprehension, which is followed by a brief discussion concerning how recognition of this moment reveals an important aspect of creative reasoning that is to be understood as a part of our experience through what Peirce referred to as firstness and secondness. Analyzing the aesthetic experience of scientific explanations against the backdrop of Dewey’s conceptions of aesthetics and science, combined with Peirce’s categories, accounts for that creative moment of scientific apprehension in which a scientific explanation takes on the quality of kalos, or sense of general harmony, that inspires reverie and future inquiry. (shrink)

In this article I argue that Dewey, throughout his work, conducted a systematic dismantling of the concept of rationality as mastery and control. Such a dismantling entails, at the same time, the dismantling of the auto-grounded subject, namely, the subject that grounds itself in the power to master experience. The Deweyan challenge to Western ontology goes straight to the core of the subject’s question. Dewey not only systematically challenged the understanding of thinking as a process consciously managed by the subject (...) but also conceived of thinking as an event rather than a process—something that occurs in us rather than something intentionally staged by a reflective subject. Such a twofold dismantling of rationality and subject rather than a flow in a nihilistic/relativistic account of education results in a reinforcement of education that must be understood not so much as the attempt to understand and predict experience but as the means to create new, unpredictable experience. As a result, education, for Dewey, is grounded on, moved by, and directed at uncertainty. Education, in a sense, engenders uncertainty. (shrink)

In this paper, I argue that Dewey’s pragmatist aesthetics, and in particular, his concept of consummatory experience, should be engaged anew to rethink the merits of the Philosophy for Children programme, which arose in the 1970s in the US as an innovative educational programme that aims to use philosophy to help school children improve their ability to become more conscious of and make judgments about the aspects of their experience that have ethical, aesthetic, political, logical, or even metaphysical meaning. Although (...) an international success, the PFC programme has attracted many criticisms from a variety of directions. I claim that Deweyan concept of consummatory aesthetic experience is broad and flexible enough to provide a robust framework to make sense of the pedagogical horizon of PFC and therefore fruitfully engage the various critics of the movement coming from religious and social conservatives, educational psychologists, critical theorists, postmodernists/posthumanists, and professional philosophers themselves. The goal of this paper is to offer in a preliminary fashion the basic elements of Deweyan pragmatist aesthetics, which was principally elucidated in his Art as Experience, to defend PFC as a viable pedagogy. (shrink)

In this essay, I attempt to interpret the educational philosophy of John Dewey in a way that accomplishes two goals. The first of these is to avoid any reference to Dewey as a propagator of a particular scientific method or to any of the individualist and cognitivist ideas that is sometimes associated with him. Secondly, I want to overcome the tendency to interpret Dewey as a naturalist by looking at his concept of intelligence. It is argued that ‘intelligent experience’ is (...) the basic concept of education. I suggest how this concept should be understood. I propose to look at it as an interplay between the faculties of imagination and judgment. (shrink)

In this paper, I analyse the Deweyan account of thinking and subject and discuss the educational consequences that follow from such an account. I argue that despite the grouping of thinking and reflective thought that has largely appeared in the interpretation of Deweyan work, Dewey discloses an inescapable uncertainty at the core of human thinking. This move is even more challenging given Dewey's firm faith in the power of intelligent action, and in education as the means by which human beings (...) grow and create meaningful existence. I argue that throughout his work, Dewey dismantled the understanding of the subject as a detached and self-assured centre of agency. In Deweyan understanding, on one hand, the subject is empowered to reflect on experience and to use this reflection to evolve new ways of acting, thus pushing experience forward. On the other hand, by acting, the subject can create new points of interaction within experience. This understanding of thinking and subject has far-reaching consequences for education, which must be conceived not so much as the attempt to master and control experience but as the means to create new, unpredictable experience by putting new points of interactions into our relationship with the environment, changing our being-embedded-in-the-world. Dewey repositions educational, intentional agency away from control and mastery and in the direction of growth and openness. (shrink)