Switch to: References

Citations of:

On Snobbery

British Journal of Aesthetics 63 (2):199-215 (2023)

Add citations

You must login to add citations.
  1. Aesthetic Normies and Aesthetic Communities.Ting Cho Lau - 2024 - Journal of Aesthetics and Art Criticism (N/A):1-10.
    Although there has been significant work on aesthetic snobbery and its ethical implications, much less work has been done on the aesthetic normie (normie for short). The normie is someone who primarily engages with popular aesthetic items. I argue that the normie is motivated by a drive towards sociality to connect with others and to rely on them given limited resources and time. I argue that the normie who is motivated by this drive will limit their aesthetic range and depth. (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • Aesthetic Snobbery.Stephanie Patridge - 2023 - Philosophy Compass 18 (9):e12940.
    This essay briefly introduces and contextualizes the extant work on aesthetic snobbery, and identifies some areas for further inquiry. Currently four kinds of snobbery have been identified—social contagion snobbery, attitudinal snobbery, contextual snobbery, and straight-up classist snobbery. Interestingly, each kind of snobbery is thought to manifest itself as a distinct epistemic failing, and for this reason they are advanced as distinct, non-competing kinds of snobbery. Some snob’s aesthetic judgments will be false or unjustified (social-contagion and straight-up classist), some will be (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • Failure as Omission: Missed Opportunities and Retroactive Aesthetic Judgements.Elisabeth Schellekens - 2023 - Estetika: The European Journal of Aesthetics 60 (2):131-144.
    In this paper I distinguish between different kinds of failures of aesthetic judgements with a view to exploring a form of failure that involves the outright omission of aesthetic judgement. Such omissions come to pass when an object of attention could or ought to have been experienced and judged aesthetically but where such an experience or judgement simply failed to arise, and can be traced back to at least three kinds of reason: (1) lack of aesthetic quality; (2) lack of (...)
    Download  
     
    Export citation  
     
    Bookmark