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  1. Dostoyevsky's grand inquisitor as a mirror for the ethics of institutions.Luk Bouckaert & Rita Ghesquiere - 2004 - Journal of Business Ethics 53 (1-2):29-37.
    The aim of the paper is twofold. On a methodological level we explore the way classic literary texts can be used as a resource for analysis and reflection in the field of business ethics. On the level of substance we use the story of the Grand Inquisitor to analyze the problem of hypocrisy in business ethics and leadership. To overcome the problem of hypocrisy we look for some clues in the work of Dostoyevsky himself.
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  • The Symbolism of Evil: The Full Shape of Our Capacity for Moral Responsibility.Marius Daniel Ban - 2020 - European Journal for Philosophy of Religion 12 (4):139-160.
    In this article, I examine the discourse around evil from the perspective of philosophical anthropology. Through an analysis of the religious symbolism of evil and an associated quest for a complete study of being, I intend in this article to explore fresh ways of establishing the relation between our rhetorical practices of evil and moral responsibility. I draw on Ricoeur’s work on the primary symbols of evil, which can be seen as a means for clarifying and extending our understanding of (...)
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  • Diálogos da dúvida: O eterno marido, de Dostoiévski e Dom Casmurro, de Machado de Assis.Andréa de Barros - 2015 - Bakhtiniana 10 (3):130-147.
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  • ""Polyphony and" realism in a higher sense": the epilogue of Crime and Punishment.Priscila Nascimento Marques - 2011 - Bakhtiniana 6 (1):143 - 158.
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  • Existential struggles in Dostoevsky’s the Brothers Karamazov.Dennis Vanden Auweele - 2016 - International Journal for Philosophy of Religion 80 (3):279-296.
    sThe salience of Fyodor Dostoevsky’s novels for philosophical reflection is undeniable. By providing a myriad of often dialectically mediating perspectives on certain subjects, he can serve as a rich fount for philosophical polemic. Many readers have been prone to confine the philosophical import of Dostoevsky’s prose to such a polyphony of dialectically interacting perspectives. In this article, this topic is taken up with a focus on the differing points of view on human salvation espoused by the protagonists of The Brothers (...)
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