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  1. Hume on presentation and philosophy.Maité Cruz Tleugabulova - 2012 - Canadian Journal of Philosophy 42 (S1):67-81.
    Most philosophers agree that an argument's presentation is relevant to its philosophical merit. This paper explains why David Hume considered presentation philosophically important. On Hume's epistemology, presentation is closely connected with two principal aims of philosophical arguments: persuasion and epistemic justification. Hume's views imply that presentation is a factor determining an argument's persuasiveness and that, by philosophical standards of justification, presentation is also a factor determining the extent to which an argument's conclusion is justified.
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  • On Hume's Appropriation of Malebranche: Causation and Self.Peter J. E. Kail - 2008 - European Journal of Philosophy 16 (1):55-80.
    The full-text of this article is not available in ORA, but you may be able to access the article via the publisher copy link on this record page.
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  • Hume and Ancient Philosophy.Peter Loptson - 2012 - British Journal for the History of Philosophy 20 (4):741-772.
    This paper examines Hume’s comments on and claims about ancient philosophy. A clear and consistent picture emerges from doing so. While Hume is a lover of ancient literature, he holds ancient philosophy in very low regard, as passage after passage discloses, with one qualification and one important exception. Hume appropriates the mantle of ‘Academic’ sceptic for himself; but in fact his Academic (or ‘mitigated’) scepticism has only minimal affinity with the ancient school of this name, having more in common with (...)
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  • Happy to Unite, or Not?Kate Abramson - 2006 - Philosophy Compass 1 (3):290-302.
    At several key moments in his works, Hume draws our attention to the differences between two conceptions of philosophy. Deploying what were already then well‐worn metaphors, he calls these two “species” of philosophy “anatomy” and “painting.” Hume’s remarks about philosophical anatomy and painting have recently given rise to a number of scholarly debates. I focus here on just one of these debates: did Hume intend to combine anatomy and painting in some of his later works? Through an examination of the (...)
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  • Hume's Reading of the Classics at Ninewells, 1749–51.Moritz Baumstark - 2010 - Journal of Scottish Philosophy 8 (1):63-77.
    This article provides a re-evaluation of David Hume's intensive reading of the classics at an important moment of his literary and intellectual career. It sets out to reconstruct the extent and depth of this reading as well as the uses – scholarly, philosophical and polemical – to which Hume put the information he had gathered in the course of it. The article contends that Hume read the classics against the grain to collect data on a wide range of cultural information (...)
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  • Textos Selecionados de Filosofia das Emoções.Felipe Nogueira de Carvalho & Flavio Williges - 2023 - Pelotas: Editora UFPel.
    Esse volume consiste em traduções de verbetes da Enciclopédia Stanford de Filosofia que dizem respeito à Filosofia das Emoções. Trata-se de um volume de orientação história, que visa desfazer o mito de que emoções foram objetos menores de análise filosófica antes da contemporaneidade, resgatando assim a grande riqueza de teorias e reflexões sobre emoções e afetos na filosofia antiga, medieval, renascentista, moderna e indiana.
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  • Newton and Hume.Matias Kimi Slavov - 2020 - Encyclopedia of Early Modern Philosophy and the Sciences.
    We may distinguish two interpretations of the relation between Newton’s natural philosophy and Hume’s science of human nature. The first interpretation can be called ‘traditional,’ the second ‘critical.’ This article will not side with either readings of Hume’s Newtonianism (or with some middle positions). Instead, essential points of confluence and divergence will be discussed.
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  • Correcting Our Sentiments about Hume's Moral Point of View.Kate Abramson - 1999 - Southern Journal of Philosophy 37 (3):333-361.
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  • Essays concerning Hume's Natural Philosophy.Matias Slavov - 2016 - Dissertation, University of Jyväskylä
    The subject of this essay-based dissertation is Hume’s natural philosophy. The dissertation consists of four separate essays and an introduction. These essays do not only treat Hume’s views on the topic of natural philosophy, but his views are placed into a broader context of history of philosophy and science, physics in particular. The introductory section outlines the historical context, shows how the individual essays are connected, expounds what kind of research methodology has been used, and encapsulates the research contributions of (...)
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  • Honour, face and reputation in political theory.Peter Olsthoorn - 2008 - European Journal of Political Theory 7 (4):472-491.
    Until fairly recently it was not uncommon for political theorists to hold the view that people cannot be expected to act in accordance with the public interest without some incentive. Authors such as Marcus Tullius Cicero, John Locke, David Hume and Adam Smith, for instance, held that people often act in accordance with the public interest, but more from a concern for their honour and reputation than from a concern for the greater good. Today, most authors take a more demanding (...)
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  • Hume on unobservable entities.Silvio Seno Chibeni - 2018 - Doispontos 15 (1).
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  • The Origins of Modern Aesthetics: 1711–35.Paul Guyer - 2004 - In Peter Kivy (ed.), Blackwell Guide to Aesthetics. Malden, MA: Wiley-Blackwell. pp. 15–44.
    This chapter contains sections titled: Shaftesbury and Hutcheson Du Bos Addison Baumgarten A Glimpse Ahead: Kant.
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