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  1. Repetition and difference: Lefebvre, le corbusier and modernity's (im)moral landscape.Mick Smith - 2001 - Ethics, Place and Environment 4 (1):31 – 44.
    If, as Lefebvre argues, every society produces its own social space, then modernity might be characterized by that (anti-)social and instrumental space epitomized and idealized in Le Corbusier's writings. This repetitively patterned space consumes and regulates the differences between places and people; it encapsulates a normalizing morality that seeks to reduce all differences to an economic order of the Same. Lefebvre's dialectical conceptualization of 'difference' can both help explain the operation of this (im)moral landscape and offer the possibility of alternative (...)
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  • Lost for Words? Gadamer and Benjamin on the Nature of Language and the 'Language' of Nature.Mick Smith - 2001 - Environmental Values 10 (1):59-75.
    Language is commonly regarded as an exclusively human attribute and the possession of the word has long served to demarcate culture from nature. This is often taken to imply that nature is incapable of meaningful expression, that any meaning it acquires is merely bestowed upon it by humanity. This anthropic logocentrism seriously undermines those forms of 'environmental advocacy' which claim to find and speak of the meaning and value of nature perse. However, shorn of their own anthropocentric presuppositions, the expressivist (...)
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  • Human categories beyond non-essentialism.Ron Mallon - 2007 - Journal of Political Philosophy 15 (2):146–168.
    In recent years, numerous articles and books in the humanities and the social sciences have been devoted to understanding the ascription of race, gender, ethnicity, sexual orientation, mental illness, and other ‘human kind’ concepts to persons. What may be more surprising given the enormous volume of this research and the diversity of its sources is that much of it shares a common commitment to understanding the categories picked out by these concepts in an non- essentialist way. For example, Iris Marion (...)
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