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Just Queer Folks: Gender and Sexuality in Rural America

[author unknown]
(2013)

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  1. Bud-Sex: Constructing Normative Masculinity among Rural Straight Men That Have Sex With Men.Tony Silva - 2017 - Gender and Society 31 (1):51-73.
    This study draws on semistructured interviews with 19 white, rural, straight-identified men who have sex with men to understand how they perceive their gender and sexuality. It is among the first to use straight men’s own narratives, and helps address the underrepresentation of rural masculinities research. Through complex interpretive processes, participants reworked non-normative sexual practices—those usually antithetical to rural masculinities—to construct normative masculinity. Most chose other masculine, white, and straight or secretly bisexual men as partners for secretive sex without romantic (...)
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  • The Post‐Raciality and Post‐Spatiality of Calls for LGBTQ and Disability Visibility.Carly Thomsen - 2015 - Hypatia 30 (1):149-166.
    In this article, I consider the ideologies that emerge when disability and LGBTQ rights advocates' ubiquitous calls for visibility collide. I argue that contemporary visibility politics encourage the production of post-racial and post-spatial ideologies. In demanding visibility, disability and LGBTQ rights advocates ignore, ironically, visible markers of difference and assume that being “out, loud, and proud” is desirable trans-geographically. I bring together disability studies and queer rural studies—fields that have engaged in remarkably little dialogue—to analyze activist calls for LGBTQ and (...)
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  • Queer objects and intermedial timepieces: Reading s-town.Monique Rooney - 2018 - Angelaki 23 (1):156-173.
    This paper takes as its queer object a serialized podcast. With its story about John B. McLemore, a clockmaker from Woodstock, Alabama, S-Town is a blockbuster success from the producers of Serial and This American Life. Against both affirmative and negative reception of S-Town – responses that tend to position the podcast either as transcending or as reproducing the idea of a backwards or lagging South – this paper argues that S-Town is an intermedial narrative incorporating various media that themselves (...)
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