In his celebrated article on the narrative technique of Odysseus' Wanderings (‘Ich-Erzählungen’) W. Suerbaum concludes that this character's narration is not essentially (‘wesentlich’) different from that of the primary narrator of theOdyssey(p. 163). Even though Odysseus is a first-person narrator and hence is subject to certain restrictions, these are almost completely counterbalanced by hisex eventuknowledge. For example, he can even report a conversation which took place on Olympus (12.376–88), because it was afterwards reported to him by Calypso, who heard it (...) from Hermes (12.389–90). He can also tell what went on in the minds of his companions (10.415–17), because they later told him what they had felt (10.419–21). Suerbaum's conclusion is shared by M. Fusillo (‘Ulysse contrôle toujours une vision panoramique avec focalisation zéro et ne la concentre pas en lui-même comme personnage’) and A. Heubeck, p. 11 (‘the form in which Odysseus is made to tell his story is entirely in harmony with the narrative style elsewhere’). (shrink)

The aim of this paper is to establish the existence of a significant difference, in a number of respects, between the style of the narrated portions of Homer and that of the speeches which are recorded in the two epics; and to offer some explanations for this fact. It will require the presentation of some statistics: I suspect that not all of the figures are absolutely accurate, but I feel confident that such inaccuracies as they may contain will not affect (...) the validity of the inferences drawn from them. The mere fact of differences in vocabulary, while not without interest, is not extremely interesting or surprising. The hope of this paper is that patterns will appear, and that the ‘reticence’ or ‘objectivity’ of Homer, more often praised than investigated, will be illuminated by them; that particular passages in the poems will be shown to be stylistically interesting or unusual; and that some general considerations will emerge which suggest that the difficulties confronting the oral theory of Homer are rather more complex than is often supposed. (shrink)

In his celebrated article on the narrative technique of Odysseus' Wanderings W. Suerbaum concludes that this character's narration is not essentially different from that of the primary narrator of the Odyssey . Even though Odysseus is a first-person narrator and hence is subject to certain restrictions, these are almost completely counterbalanced by his ex eventu knowledge. For example, he can even report a conversation which took place on Olympus , because it was afterwards reported to him by Calypso, who heard (...) it from Hermes . He can also tell what went on in the minds of his companions , because they later told him what they had felt . Suerbaum's conclusion is shared by M. Fusillo and A. Heubeck, p. 11. (shrink)

At the close of the Cyclops adventure Odysseus piously sacrifices to Zeus the ram that has carried him out of Polyphemus' cave. Yet the god spurns his offering and ponders instead the destruction of Odysseus' ships and their crews :These lines need explaining, as they present two difficulties, one formal, the other thematic. How can Odysseus know what Zeus is pondering? As a first-person narrator Odysseus assumes temporarily the role of the epic poet, yet without being given the latter's omniscience. (...) He retains therefore the restricted perspective of an epic character which precludes any precise knowledge of supernatural processes. (shrink)