Scholarly discussions of Merleau-Ponty’s aesthetics tend to focus on his philosophy of painting. By contrast, comparatively little attention has been paid to his philosophy of literature. However, he also draws significant conclusions from his work on literary expression. As I will argue, these reflections inform at least two important positions of his later thought. First, Merleau-Ponty’s account of “indirect” literary language led him to develop a hybrid view of phenomenological expression, on which expression is both creative and descriptive. Second, a (...) study of literature furnished him with the resources to develop a novel account of phenomenological “essences”, which holds that essences are revisable explanations of first-order experience. Both results have been overlooked by commentators. They demonstrate the systematic import of Merleau-Ponty’s philosophy of literature and language, and amount to a qualified extension of a basic Husserlian position. (shrink)

Husserl’s phenomenology was particularly influential for a number of French philosophers and their theories. Two of the most prominent French thinkers, Jean-Paul Sartre and Maurice Merleau-Ponty, turned to the instruments offered by phenomenology in their attempts to understand the notions of the body, consciousness, imagination, human being, world and many others. Both philosophers also provided their definitions of perception, but they understood this notion in very different ways. The paper describes selected aspects of Husserl’s phenomenology that were adopted by Sartre (...) and Merleau-Ponty and depicts the presumptions of their respective theories of perception, as well as the differences between them. The main thesis presented here is that theories as different as those proposed by Sartre and Merleau-Ponty may, and indeed do, lead to the same conclusion, i.e. that perception represents a different form of cognition. Despite the differences between these theories, they can both be placed in the contemporary context of phenomenological research carried out by cognitive philosophers Dan Zahavi and Shaun Gallagher, as well as by the proponent of the enactive theory of perception, Alva Noë. (shrink)

This paper sets out to demonstrate that a phenomenological reflection on language highlights the possibilities of authenticity in communication, and as such provides a very necessary complement to the dominant linguistic perspectives: the syntactic and grammatical perspective, Saussurean linguistics, and systemic functional linguistics. While the syntactic and grammatical perspective, which predominates in the educational context, presents language as an institutionalized, authoritarian and self-contained system, Saussurean linguistics provides a view of language as a complex, self-contained, technical system, as such reflecting the (...) nature of modern society. The third perspective, systemic functional linguistics, describes templates of specific genre, models which aid students to construct their own, while simultaneously discouraging individual selfexpression. In contrast, a reflective phenomenological perspective identifies and encourages authentic self-expression. The paper concludes by considering ways to reconcile the impetus in language teaching towards, on the one hand, the language of institutional authority, and, on the other, individual self-expression. Indo-Pacific Journal of Phenomenology , Volume 6, Edition 2 August 2006. (shrink)