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Plato on Education and Art

In Gail Fine (ed.), The Oxford Handbook of Plato. New York: Oxford University Press. pp. 336--359 (2008)

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  1. Plato, the Poets, and the Philosophical Turn in the Relationship Between Teaching, Learning, and Suffering.Avi I. Mintz - 2022 - Studies in Philosophy and Education 41 (3):259-271.
    Greek literature prior to Plato featured two conceptions of education. Learning takes place when people encounter “teacher-guides”—educators, mentors, and advisors. But education also occurs outside of a pedagogical relationship between learner and teacher-guide: people learn through painful experience. In composing his dramatic dialogues, Plato appropriated these two conceptions of education, refashioning and fusing them to present a new philosophical conception of learning: Plato’s Socrates is a teacher-guide who causes his interlocutors to learn through suffering. Socrates, however, is not presented straightforwardly (...)
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  • What is philosophy as a way of life? Why philosophy as a way of life?Stephen R. Grimm & Caleb Cohoe - 2020 - European Journal of Philosophy 29 (1):236-251.
    Despite a recent surge of interest in philosophy as a way of life, it is not clear what it might mean for philosophy to guide one's life, or how a “philosophical” way of life might differ from a life guided by religion, tradition, or some other source. We argue against John Cooper that spiritual exercises figure crucially in the idea of philosophy as a way of life—not just in the ancient world but also today, at least if the idea is (...)
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  • XIII—From Painters to Poets: Plato’s Methods inRepublicX.Dominic Scott - 2016 - Proceedings of the Aristotelian Society 116 (3):289-309.
    Throughout much of the critique of poetry in Republic X, Socrates exploits a parallel between painting and poetry. I argue there are two distinct methods at work here, the ‘similarity’ and ‘heuristic’ methods. The first uses painting to discover the general definition of mimesis, which is then swiftly applied to poetry. The second describes certain features of painting before using independent arguments to show that these also apply to poetry. That Socrates sometimes uses the parallel in this heuristic way is (...)
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