This paper discusses Immanuel Kant’s views on the role of experiments in natural science, focusing on their relationship with hypotheses, laws of nature, and the heuristic principles of scientific enquiry. Kant’s views are contrasted with the philosophy of experiment that was first sketched by Francis Bacon and later developed by Robert Boyle and Robert Hooke. Kant holds that experiments are always designed and carried out in the light of hypotheses. Hypotheses are derived from experience on the basis of a set (...) of heuristic principles. The function of experiments is testing hypotheses in order to either reject them as false, or else to transform them into empirical laws of nature. To this end, we must integrate the hypotheses that are confirmed by experiments with the a priori principles which are the foundations of natural science. Compared with Bacon, Boyle, and Hooke, Kant has elaborate views on the one hand, on how our theoretical and pre-theoretical assumptions bear on experimental practice, and on the other hand, on how the results of experimental activity can be integrated with theories to advance our knowledge of nature. However, Kant overstates the dependence of experiments on theories. (shrink)

Several works published in the last decades defend the claim that the concept of creativity should be demystified. With the aim of showing that creativity is not an obscure power owned by only few individuals and free from constraints, authors working at the intersection field between philosophy and cognitive science have notably focused on the structure and evolution of cognitive mechanisms underlying our creative capacities. While taking up the suggestion that we should try not to mystify creativity, this article argues (...) that what is required for such demystification is primarily a transcendental and phenomenological inquiry. Kant’s and Merleau-Ponty’s works are here discussed in order to develop such a transcendental inquiry into creativity. Both Kant and Merleau-Ponty bring to the fore the conditions of possibility for creative acts, and highlight fundamental role of creativity itself in the formation of meaningfulness. The keystone of both philosophers’ inquiries is the emphasis on the interdependence between creativity and rules. Yet, due to the different approaches to the transcendental, Kant’s and Merleau-Ponty’s accounts do not fully converge, but should rather be considered as complementary. (shrink)

Uno de los problemas que se le presentan a Kant en la Crítica de la facultad de juzgar es el de la aptitud de la naturaleza en su diversidad particular para ser conformada por las leyes del entendimiento. En este contexto, Kant defi ne los conceptos de naturaleza, materia y fi nalidad de una manera que antes no había tenido cabida en su sistema, y postula la idea de una técnica o arte de la naturaleza. En este artículo se analiza (...) y discute cómo Kant aborda esto, haciendo hincapié en el papel que juega el principio de la conformidad a fi n en el marco de una naciente ciencia de los seres vivos.One of the problems for Kant in the Critique of Judgment is the suitability of nature's particular diversity to the laws of the understanding. In this context, Kant characterizes the concepts of nature, matter and purposiveness in a novel fashion, putting forward the idea of an art or technique of nature. This article considers this new Kantian approach emphasizing the role played by the principle of purposiveness in a context in which a new science of living beings is emerging. (shrink)

In this paper I discuss two questions. What does Kant understand by mechanical explanation in the Critique of judgment? And why does he think that mechanical explanation is the only type of the explanation of nature available to us? According to the interpretation proposed, mechanical explanations in the Critique of judgment refer to a particular species of empirical causal laws. Mechanical laws aim to explain nature by reference to the causal interaction between the forces of the parts of matter and (...) the way in which they form into complex material wholes. Just like any other empirical causal law, however, mechanical laws can never be known with full certainty. The conception according to which we can explain all of nature by means of mechanical laws, it turns out, is based on what Kant calls ‘regulative’ or ‘reflective’ considerations about nature. Nothing in Kant’s Critique of judgment suggests that these considerations can ever be justified by reference to how the natural world really is. I suggest that what, upon first consideration, appears to be a thoroughly mechanistic conception of nature in Kant is much more limited than one might have expected. (shrink)

The essay presents an interpretation of Hegel’s speculative sentence that, emphasizing the “counter-thrust” that the modern subject undergoes here, allows us to connect the movement of the Hegelian subject to the negativity recognised by Kant at the bottom of the faculty of judgment with regard to its aesthetic dimension. This way, it aims, first, to put into question the interpretation that sees in Hegel’s philosophy a regression with regard to the consciousness, attained by Kant, of the finitude, or the constitutive (...) split, of the modern subject, and, finally, in line with recent interpretations of Hegel, like those of Žižek or Malabou, to contribute to the questioning of the traditional interpretation of Hegel’s dialectics as the overcoming of negativity into a final reconciling synthesis. (shrink)

Al netto di alcune eccezioni, non si può certo affermare che la concezione kantiana dell’organismo abbia rappresentato un modello frequente per le spiegazioni del funzionamento dell’organismo nella filosofia della biologia del ventesimo e del ventunesimo secolo. Tuttavia, il filosofo francese della biologia Philippe Huneman fa riferimento a questo tipo di concezione in alcune opere dedicate alla filosofia dell'organismo. Prendendo in analisi alcuni passaggi degli scritti del filosofo Gérard Lebrun, che fu il supervisore della tesi dottorale di Huneman, questo articolo si (...) propone di indagare le possibili influenze che la lettura di Kant proposta da Lebrun potrebbe aver avuto sulla biologia francese contemporanea, in particolare su Huneman. Kant; Lebrun; filosofia; biologia; organismo. (shrink)