This article argues that Hayden White's vision of historiography can be appropriated for the “public use of history” in many ethnic and nationalist conflicts today. That is, it can be used to provide the theoretical arguments that justify the instrumentalization of historical memory by nationalist elites in their sometimes genocidal struggles with their opponents. Historians so far have not adequately understood the implications or possible uses of White's historiography, and therefore to that extent his case remains unrefuted. In the event, (...) White has anticipated and held his ground against possible counter-arguments. The only way to answer him is to ask the question that he poses of historians: what is the purpose of history for “life”? The essay argues that Max Weber's advice to scholars to pose difficult questions and demand clarity about the implications and consequences of specific commitments is morally more responsible than White's in the current climate of ethnic and national conflict. The historical is not opposed to the ethical, as White maintains; the historical is the ethical. Historians should engage in “strong evaluations” in the construction of “bridging” narratives between historical communities, rather than redemptive narratives of liberation that often entail zero-sum claims to contested land. (shrink)

This essay explains the appearance of tragic narrative patterns and motifs in the Croesus logos not as a passive manifestation of "tragic influence," but as a self-conscious textual strategy whereby Herodotus makes his narratives familiar and engaging while also demonstrating the distinctive traits of his own innovative discourse, historie. Herodotus' purposive appropriation and modification of tragic technique manifests the critical engagement with other authors and literary genres that is one of the defining features of the Histories. Herodotus embellishes the story (...) of Atys and Adrastus with numerous formal and thematic features of Attic tragedy. Uniquely in the Histories, the story traces the full arc of a tragic drama, from the king's ominous dream of Atys' death to catastrophe, lament, and burial. The celebrated climactic description of Adrastus' suicide, however, transcends Herodotus' dramatic model. In describing Adrastus as the most unfortunate man "of all that he himself knew," Herodotus introduces an idiom used elsewhere in the Histories to portray the activity of the histor, and thus places the unmistakable stamp of his own genre upon tragic narrative. In a fully mimetic episode that lacks the author's characteristically intrusive "voiceprint," Herodotus seems to suggest that he could beat the dramatists at their own game if he chose to play it. Two other episodes make similar use of tragic motifs on a smaller scale. In the story of Gyges and Candaules Herodotus adapts the Aeschylean motif of the decision made under duress to focus attention on human causation and socio-political issues of fundamental interest to him. Finally, the tragic stylization of Croesus' pyre scene allows Herodotus to manipulate audience expectations while subtly demonstrating, through the use of indirect discourse, the interest in source criticism that sets Herodotean historie apart from the poetic tradition. (shrink)

This paper argues that history differs from natural science in relying on folk psychology and so narrative explanations. In narratives, actions, beliefs, and pro-attitudes are joined by conditional and volitional connections. Conditional connections exist when beliefs and pro-attitudes pick up themes from one another Volitional connections exist when agents command themselves to do something having decided to do it because of a pro-attitude they hold. The paper defends the epistemic legitimacy of narratives by arguing we have legitimate grounds for postulating (...) conditional and volitional connections since they are given to us by a folk psychology we accept as true. (shrink)

This article examines the theoretical and methodological implications of the revisionist debates. It focuses on the political, academic, and moral dimensions of the process of rewriting history and its interrelation with the public sphere. The article examines the recent debate in Greece and compares it with case studies of Germany, Spain, Israel, the Soviet Union, and Ireland. It comments on the common elements of these cases and proposes a basic typology of the revisionist debates in terms of similarities and differences. (...) It categorizes the revisionist endeavors into three types: the successful, the failed, and the bewildered. (shrink)

El principal objetivo de este artículo es considerar el advenimiento de la filosofía de la historia de Hayden White como el resultado de un compromiso con cinco tesis que articulan la teoría como un todo. Ese compromiso permite inteligir buena parte del espacio ocupado por los críticos del narrativismo de White, pero más que suponer la necesidad de anular la teoría -en virtud de que uno u otro aspecto de alguna tesis es conceptualmente problemático-, me oriento en la dirección contraria. (...) El objetivo ulterior reside en mostrar a la luz de las cinco tesis cómo las eventuales inconsistencias de la teoría se resuelven atendiendo a las críticas eficaces con miras a radicalizar la teoría. Si ése fuera el caso, entonces resultaría que Metahistoria fue el punto de partida -y no de llegada- en la emergencia de otra filosofía de la historia. The primary objective of this article is to consider the advent of Hayden White's philosophy of history as the result of a commitment with five theses that articulate the theory as a whole. That commitment allows to understand much of the space occupied by narrativism critics, but in terms that instead of assuming the need for a dismissal of the theory , guide us in the opposite direction. The ultimate goal is to show, in the light of the five theses, how are resolved the eventual inconsistencies of the theory in response to effective criticism in order to radicalize theory. If that were the case, then Metahistory was the point of departure in the emergence of another philosophy of history. (shrink)