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Kant's Critique of aesthetic judgement

Oxford,: Clarendon press. Edited by James Creed Meredith (1911)

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  1. Searching for the 'popular' and the 'art' of popular art.Theodore Gracyk - 2007 - Philosophy Compass 2 (3):380–395.
    Philosophy of art presupposes differences between art and other cultural activity. Philosophers have recently paid more attention to this excluded activity, particularly to the range of cultural production known as popular art. Three issues have dominated these discussions. First, there is debate about the basis of the distinction. Some philosophers contend that fine art is essentially different from popular art, but others hold that the distinction is entirely social in origin. Second, philosophers disagree on the degree of continuity or discontinuity (...)
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  • Bernard Stiegler and the fate of aesthetic performance in the time of digital media.Tai Ling - 2020 - Dissertation, University of Birmingham
    My thesis concerns the fate of the spiritual capacities of human beings in the time of digital media systems in relation to the work of Bernard Stiegler. Stiegler’s framing of the problem is situated within his ambigious, or pharmacological, approach to technology, in which it is simultaneously poison and cure. It is also founded on his notion of ‘originary technicity’, in which humanity and technology ‘invent’ each other. Both avoid a reductive reading of human-technological relations. Stiegler’s account of subjectivity is (...)
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