This article considers Catullus’ reaction to his brother’s death and argues that the poet, having found the masculine vocabulary of grief inadequate, turns to the more expansive emotions and prolonged dedication offered by mythological examples of feminine mourning. I begin by showing how Catullus complicates his graveside speech to his brother in poem 101 by invoking poems 65, 68a, and 68b. In these compositions, Catullus likens himself to figures such as Procne and Laodamia, and their feminine modes of grief become (...) associated with the poet. While these women’s grief brings them to a dreadful end, in my second reading of poem 101 I show how Catullus incorporates their emotional intensity and devoted attention into a masculine performance of mourning. Connecting his voyage to his brother’s grave with Odysseus’ journey, Catullus valorizes his single-minded remembrance of his sibling, even as he acknowledges that he will never overcome the distance between them. (shrink)

This article presents three brief case studies of the way Romans talked about and expressed contempt. It examines aspects of discourses about contempt that are characteristic both of Roman literature and of modern concepts. The focus is on the relationship of hierarchy, recognition, and (active and passive) contempt in the Latin vocabulary and in two literary motifs taken from invective and historiography, two genres in which expressions of contempt are particularly frequent and prominent.

This article examines a simile preserved in the fragmentary book 5 of Cicero's De Re Publica, which figures the ideal statesman in terms of a farm bailiff and a household steward. Through a philological, philosophical, and socio-cultural explication of these similes and their context within De Re Publica, this article argues that Cicero draws upon Greek philosophical treatments of household and political relations and reworks traditional Roman political ideology so as to refigure the conceptual relationship between the statesman and the (...) state: from the farmer of res publica to its subservient, yet still overseeing, bailiff. By casting the ideal statesman in the decidedly servile role of a public bailiff, Cicero subordinates his statesman to res publica, yet also empowers him to act as its jurisprudential overseer, and this change marks a significant and perhaps strikingly original contribution to Roman political thought. (shrink)

I give grounds for taking seriously the possibility that some of the emotions we ascribe do not exist. I build on the premise that the experience of imagining an emotion resembles that of having one. First a person imagines having an emotion. This is much like an emotion, so the person takes herself to be having the emotion that she imagines, and acts or expects a disposition to act accordingly. The view sketched here contrasts possibly impossible emotions such as disembodied (...) passion, blind rage, and Quixotic courage with real ones such as affection, anger, and bravery. Both these real emotions and the states of imagining impossible ones are things that really happen to us. (shrink)

For Seneca, the firmness of the Wise is shown in his ability to remain calm against attacks, as he explains in his treatise of that name. Attacks can come in the form of injustice, iniuria, and disparagement, contumelia; Seneca proves that neither of them affects the wise man. Contumelia is linked to contemptus in definition and conceptualization so that the remarks on how to deal with disparagement contain clues as to what contemptus means for Seneca. The article argues that Seneca (...) understands the term in a double sense: First, contemptus denotes a reprehensible attitude. Second, it designates a kind of indifference which is to be understood in the context of Stoic apatheia. (shrink)

This article reexamines the evidence for the relationships between the Vestal virgins and their natal kin from the second century BC to the third century ad. It suggests that the bond between these priestesses and their families remained strong throughout this period and that, as a consequence, interpretations of the Vestals' position within Roman society that emphasize the severing of agnatic ties through their removal from patria potestas may be misguided. When placed in the broader social and legal context, the (...) ritual “capture” of these priestesses is shown to be a necessary feature of their priestly identity, which only marked the Vestals as extraordinary because of the unique intersection of religious and gender categories that characterized their office. Finally, the implications of these findings for the interpretation of Vestal virginity are discussed. (shrink)

Chariton’s novel, Chaereas and Callirhoe, is intensely interested not only in the emotional experience of the protagonists but also in the emotional effect the narrative has on readers. Among the many emotions depicted within the text, one stands out for its architectonic function: jealousy. Jealousy articulates the plot and propels it forward. Jealousy is also represented as a fundamentally “readerly” emotion: scenes of reading focus on the potential of written texts to stir jealous emotions. Similarly, scenes of embedded narration focus (...) on the jealous reactions of narratees. The plot achieves closure when Chaereas learns to manage his jealousy as narratee and narrator. His experience, however, has implications also for Chariton and his readers. The text’s representation of jealousy as a narrative and textual force speaks both to the experience of writing in a culture that prizes the imitation of prestigious models and to the experience of reading a text that self-consciously hybridizes those models. (shrink)