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  1. Performance practice: music, medicine and natural philosophy in Interregnum Oxford.Penelope Gouk - 1996 - British Journal for the History of Science 29 (3):257-288.
    A generation or so ago, scholarly discussion about the creation of new scientific knowledge in seventeenth-century England was often framed in terms of the respective contributions of scholars and practitioners, the effects of their training and background, the relative importance of the universities compared with London, and of the role of external and internal factors, and so forth. These discourses have now largely been put aside in favour of those emphasizing spatial metaphors and models, which are recognized as powerful conceptual (...)
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  • Robert Hooke's ‘Memoranda’: Memory and natural history.Lotte Mulligan - 1992 - Annals of Science 49 (1):47-61.
    The organ of the memory was of crucial importance for Robert Hooke in his aim to improve natural history and the study of nature in general. As a mechanist he was careful to avoid the confident analogizing of his contemporaries, and he described his model in hypothetical form. However, he saw it as amenable to improvement—just as mechanically as the senses were augmented by the use of instruments. The close connection he made between a better memory mechanism and the task (...)
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  • Material doubts: Hooke, artisan culture and the exchange of information in 1670s London.Rob Iliffe - 1995 - British Journal for the History of Science 28 (3):285-318.
    In this paper I analyse some resources for the history of manipulative skill and the acquisition of knowledge. I focus on a decade in the life of the ‘ingenious’ Robert Hooke, whose social identity epitomized the mechanically minded individual existing on the interface between gentleman natural philosophers, instrument makers and skilled craftsmen in late seventeenth-century London. The argument here is not concerned with the notion that Hooke had a unique talent for working with material objects, and indeed my purpose is (...)
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  • Newton and music: From the microcosm to the macrocosm.Penelope Gouk - 1986 - International Studies in the Philosophy of Science 1 (1):36 – 59.
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