In historical literature, Edouard van Beneden is mostly remembered for his cytological discoveries. Less well known, however, is that he also introduced evolutionary morphology – and indeed evolutionary theory as such – in the Belgian academic world. The introduction of this research programme cannot be understood without taking both the international and the national context into account. It was clearly the German example of the Jena University that inspired van Beneden in his research interests. The actual launch of evolutionary morphology (...) at his University of Liège was, however, also connected with the dynamic of Belgian university reforms and the local rationale of creating a research “school.” Thanks to his networks, his mastering of the rhetoric of the “new” biology, his low ideological profile and his capitalising on the new academic élan in late-19th century Belgium, van Beneden managed to turn his programme into a local success from the 1870s onwards. Two decades later, however, the conceptual underpinnings of evolutionary morphology came under attack and the “Van Beneden School” lost much of its vitality. Despite this, van Beneden’s evolutionary morphology was prototypical for the research that was to come. He was one of the first scientific heavyweights in Belgium to turn the university laboratory into a centre of scientific practice and the hub of a research school. (shrink)

Biologists having rediscovered amphioxus, also known as the lancelet or Branchiostoma, it is time to reassess its place in early Darwinist debates over vertebrate origins. While the advent of the ascidian–amphioxus theory and challenges from various competitors have been documented, this article offers a richer account of the public appeal of amphioxus as a primitive ancestor. The focus is on how the ‘German Darwin’ Ernst Haeckel persuaded general magazine and newspaper readers to revere this “flesh of our flesh and blood (...) of our blood”, and especially on Das neue Laienbrevier des Haeckelismus (The new lay breviary of Haeckelism) by Moritz Reymond with cartoons by Fritz Steub. From the late 1870s these successful little books of verse introduced the Neapolitan discoveries that made the animal’s name and satirized Haeckel’s rise as high priest of its cult. One song is reproduced and translated here, with a contemporary “imitation” by the Canadian palaeontologist Edward John Chapman, and extracts from others. Predating the American “It’s a long way from amphioxus” by decades, these rhymes dramatize neglected ‘species politics’ of Darwinism and highlight the roles of humour in negotiating evolution. (shrink)

This essay examines Kant's idea of organic teleology. The first two sections are devoted to Kant's analysis and justification of teleological conceptions in biology. Both the idea of teleology and Kant's anti-reductionism are derived from basic elements of his critical treatment of the human intellect. The third section discusses the limitations Kant places on accounts of origins in the life world. It is argued that the limitations Kant places on accounts of the origins of species do not follow from his (...) idea of teleology. The final section briefly outlines the fate of the Kantian formulation of teleology in the nineteenth century. (shrink)

(1998). Laissez‐faire Social Darwinism and individualist competition in Darwin and Huxley. The European Legacy: Vol. 3, On Social Darwinism, pp. 17-30.

Though I have not found enough of the latter to test out this bromide, I am sensible of the value bestowed by colleagues who have taken such exacting care in analyzing my arguments. While their incisive observation and hard objections threaten to leave an extinct theory, I hope the reader will rather judge it one strengthened by adversity. Let me initially expose the heart of my argument so as to make obvious the shocks it must endure. I ask the reader (...) to grant that altruistic behavior can be empirically justified, that is, to allow that we have evolved under the aegis of kin and group selection (or comparably effective mechanisms) to heed the community welfare, to be moved to aid the distressed even at.. (shrink)

ZusammenfassungIn dem Beitrag wird die These vertreten, dass die für Deutschland typische „biologische Perspektive“ (Lynn Nyhart) mit ihrem Interesse am lebenden Tier nicht nur die naturkundliche Praxis während der zweiten Hälfte des 19. Jahrhunderts in vielfältiger Weise beeinflusste, sondern auch die Illustrationen der populären Zoologie, wie etwa in Brehms Thierleben, prägte: Die Zeichner bevorzugten als Modelle nun lebende Tiere, die sie in den zoologischen Gärten studierten; dabei stellten sie diese häufig in ihrer natürlichen Umgebung dar, die sie aus Mangel an (...) eigener Kenntnis aber imaginieren mussten. Ein weiteres beliebtes Genre in der populären Zoologie waren die Darstellungen von kämpfenden Tieren, die nicht zuletzt durch ihre Dramatik ins Auge fielen. Die ersten Tierfotografen orientierten sich an diesen Merkmalen der zoologischen Illustrationen und gaben ihren Aufnahmen mit Hilfe von Manipulationen, Inszenierungen und Retuschen den Eindruck von natürlicher Umgebung und Dramatik. Dennoch betonten sowohl Zeichner als auch Fotografen die Naturtreue und – darauf beruhend – den wissenschaftlichen Wert ihrer Abbildungen. Sie prägten damit eine „biologische“ Tierfotografie, die es nach der Jahrhundertwende engagierten Amateuren ermöglichte ein populäres Werk der heimischen Tierwelt zu schaffen, das breite Anerkennung fand. (shrink)

As the foundational contributions of the fin de si encounters with sexual science dialectically produced an anti-essentialist variant of feminism. This microscopic interpretation of historical context, it will be argued, provides a new vista from which to view the larger tableau of modern European, especially Austrian, intellectual history.