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  1. A ‘Transnormative’ View of Society Building: Simmel’s Sociological Epistemology and Philosophical Anthropology of Complex Societies.Gregor Fitzi - 2012 - Theory, Culture and Society 29 (7-8):177-196.
    In an epoch of ‘liquid modernity’, normativity assumes unforeseeable forms. Neither the theories of normative integration nor post-normative approaches can explain its contradiction: binding normativity still prevails, but its validity is limited in space and time. Only a ‘transnormative approach’ can therefore address the issue. An ideal-typical reconstruction of sociological theories as a contrast between normative and transnormative approaches allows us to appreciate the decisive contribution Simmel makes to the understanding of complex societies. A precondition is, however, to explain the (...)
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  • Introduction: Georg Simmel’s ‘Sociological Metaphysics’: Money, Sociality, and Precarious Life.Austin Harrington & Thomas M. Kemple - 2012 - Theory, Culture and Society 29 (7-8):7-25.
    The articles brought together in this double-length section of the Annual Review of Theory, Culture & Society focus on two intertwined strands of the thought of Georg Simmel, both of them neglected until recent years. A first bears on what might be called Simmel’s metaphysics of the social, or what he himself once called ‘sociological metaphysics’. A second strand centres on the renewed contemporary relevance of Simmel’s ideas about money economies and their relation to precarious individual life-situations in an age (...)
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  • Introduction: The Becoming Topological of Culture.Celia Lury, Luciana Parisi & Tiziana Terranova - 2012 - Theory, Culture and Society 29 (4-5):3-35.
    In social and cultural theory, topology has been used to articulate changes in structures and spaces of power. In this introduction, we argue that culture itself is becoming topological. In particular, this ‘becoming topological’ can be identified in the significance of a new order of spatio-temporal continuity for forms of economic, political and cultural life today. This ordering emerges, sometimes without explicit coordination, in practices of sorting, naming, numbering, comparing, listing, and calculating. We show that the effect of these practices (...)
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  • The Maker of Lies: Simmel, Mendacity and the Economy of Faith.Charles Barbour - 2012 - Theory, Culture and Society 29 (7-8):218-236.
    Georg Simmel’s treatment of the lie – in the essay ‘The Sociology of Secrecy and Secret Societies’, but in other, lesser known texts as well – is an aspect of his thought that has not received a great deal of attention among theorists. And yet many of his better known contributions to social theory – including his concepts of ‘interaction’ and ‘sociation’, his appreciation of the spatial and the aesthetic dimensions of social life, and his speculations about culture and subjectivity (...)
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  • Reflections on the ruins of Athens and Rome.Black Hawk Hancock & Roberta Garner - 2014 - History of the Human Sciences 27 (4):77-97.
    The recent publication of the translation of Jacques Derrida’s Athens, Still Remains, a small volume of photographs and commentary, affords an opportunity to probe Derrida’s reflections on death and therefore on life as well. Looking at photographs and objects of everyday life, Derrida emphasizes the deferred yet certain nature of death and the way in which this deferral opens the opportunity to devote ourselves to life. His grounding of his philosophical and deconstructionist argument in contemplation of material fragments (the photographs (...)
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  • Fate, Experience and Tragedy in Simmel’s Dialogue with Modernity.Robert William Button - 2012 - Theory, Culture and Society 29 (7-8):53-77.
    This article explores the neglected idea of fate in Simmel’s thought. It examines the specific definition of fate present in Simmel’s writings and the relation of this definition to tragic drama. The argument operates under the assumption that tragic drama represents the ‘natural habitat’ for the exploration and expression of the fate problematic. In this context, it is argued that Simmel’s rediscovery of the relevance of fate emphasizes the modernity of tragedy. The article explores Simmel’s translation of fate from drama (...)
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