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Art and the ineffable

Journal of Philosophy 58 (12):309-320 (1961)

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  1. Alice Ambrose and early analytic philosophy.Sophia M. Connell - 2021 - British Journal for the History of Philosophy 30 (2):312-335.
    ABSTRACT Alice Ambrose is best known as Wittgenstein’s student during the 1930s. Her association with probably the most famous philosopher of the twentieth century contributes to her obscurity. Ambrose is referred to in historiography of this period as ‘follower’ or ‘disciple’ but never considered in her own right as a philosopher. The neglect of her place in the history of philosophy needs to be resisted. This paper explores some of Ambrose’s most interesting ideas from the early 1950s, when she developed (...)
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  • Aesthetic ineffability.Silvia Jonas - 2017 - Philosophy Compass 12 (2):e12396.
    This essay provides an overview of the ways in which contemporary philosophers have tried to make sense of ineffability as encountered in aesthetic contexts. Section 1 sets up the problem of aesthetic ineffability by putting it into historical perspective. Section 2 specifies the kinds of questions that may be raised with regard to aesthetic ineffability, as well as the kinds of answer each one of those questions would require. Section 3 investigates arguments that seek to locate aesthetic ineffability within the (...)
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  • Musical Musical Nuance.Tiger C. Roholt - 2010 - Journal of Aesthetics and Art Criticism 68 (1):1-10.
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