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  1. When the hands do not go home: A micro-study of the role of gesture phases in sequence suspension and closure.Paul Cibulka - 2015 - Discourse Studies 17 (1):3-24.
    This study is concerned with the organisation of gestural phases of non-movement, in particular the prolonged hold and provisional home position, as accountably and in situ produced segments of behaviour. Through fine-grained transcriptions and multimodal analysis of videotaped conversation in natural and everyday settings, it is found that movement phases may be exploited by participants in order to indicate that a pursued trajectory or line of action is maintained, suspended or abandoned. Also, through constant monitoring, participants may adjust the location (...)
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  • Touch and Closeness in Naturally Organized Activities.Alain Bovet, Sara Keel & Marc Relieu - 2023 - Human Studies 46 (4):645-653.
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  • Distance, Closeness and Touch in and as an Improvised Duet Dance: How to “Move a Bit Further Away” with a Partner.Alain Bovet - 2023 - Human Studies 46 (4):807-835.
    The intelligibility of a performance of improvised dance does not reside in the rehearsed execution of a pre-existing script, nor does it result from a sustained verbal interaction between the dancers. Many aspects of the speechless performance obviously play an important role in the achieved intelligibility of the dance: a dancer is seen moving on and from a ground, on a stage, in a space delimited by walls, illuminated by spotlights, sounded by music, in front of an audience. And of (...)
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  • Defining the emblem.Barbara E. Hanna - 1996 - Semiotica 112 (3-4):289-358.
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  • Pike, Semiotics, and Anthropology.Eleanor Donnelly - 2011 - American Journal of Semiotics 27 (1-4):233-242.
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