This essay interprets the meaning of one of the cards in aTarot deck, "The Magician," in the context of process philosophy in the tradition of Alfred North Whitehead. It brings into the conversation the philosophical legacy of American semiotician Charles Sanders Peirce as well as French poststructuralist Gilles Deleuze. Some of their conceptualizations are explored herein for the purpose of explaining the symbolic function of the Magician in the world. From the perspective of the logic of explanation, the sign of (...) the Magician is an index of nonmechanistic, mutualist or circular, causality that enables self-organization embedded in coordination dynamics. Its action is such as to establish an unorthodox connection crossing over the dualistic gap between mind and matter, science and magic, process and structure, the world without and the world within, subject and object, and human experience and the natural world, thereby overcoming what Whitehead called the paradox of the connectedness of things. The Magician represents a certain quality that acts as a catalytic agent capable of eliciting transmutations, that is, the emergence of novelty. I present a model for process∼structure that uses mathematics on the complex plane and the rules of projective geometry. The corollary is such that the presence of the Magician in the world enables a particular organization of thought that makes pre-cognition possible. (shrink)

After Einstein presented his “special theory of relativity” with its marvelous principles, “principle of relativity” and “the constant speed of light”, it led to bizarre implications, such as, time dilation, length contraction, energy-mass conversion, and invariance of the space-time interval, we had trouble to understand these stunning consequences with our very classical ontology, which can be regarded as Aristotelian ontology. Thus, both physicists and philosophers have required a new kind of ontology, capable of explaining the new phenomena. Hermann Minkovski proposed (...) that Einstein’s theory implies a “four-dimensional space-time”, instead of a three-dimensional space with time passing over space. Accordingly, the universe consists of four-dimensional stuff such as events. Event ontology goes together with “block universe argument”. Accordingly, the universe looks like a block of ice or a loaf of bread and in which past, present and future take place together. Therefore, block universe argument makes impossible change, motion, and causal relations. Although they sound strange, “simultaneity of relativity”, an outcome of special theory of relativity, supports event ontology and block universe argument. Nevertheless, there are plenty of difficulties come along with the event ontology. In this paper, I will discuss those handicaps of the argument that events are basic components of the universe.Einstein, “özel görelilik kuramını” ve olağanüstü iki ilkesini, “görelilik ilkesini” ve “ışık hızının sabitliğini”, sunduktan sonra, bu kuramın Aristotelesci ontoloji olarak tabir edebileceğimiz klasik ontolojinin kavramlarıyla anlaşılması zor çıktıları oldu. Örneğin, zamanın genişlemesi, uzunluğun kısalması, enerji-kütle değişimi ve uzam-zaman aralığının değişmezliği gibi. Bu nedenle, hem fizikçiler hem de felsefeciler yeni keşfedilen olguları açıklayabilecek yeni bir ontolojinin gerekliliğini duydular. Hermann Minkovski proposed that Einstein’ın kuramının; zamanın, uzamın dışında olduğu üç-boyutlu uzam yerine “dört-boyutlu bir uzam-zaman” içerdiğini iddia etti. Buna göre evren, “olaylar” gibi dört-boyutlu şeylerden ibaret. Olay ontolojisi, “blok evren argümanı” ile uyuşur. Blok evren argümanına göre, evren bir buz kütlesine ya da bir somun ekmeğe benzer. Geçmiş, şimdi ve gelecek bu bloğun içinde aynı anda yer almaktadır. Bu nedenle blok evren argümanı; değişimi, hareketi ve nedensel ilişkileri imkansız kılar. Bu argüman tuhaf görünse de özel görelilik kuramının bir çıktısı olan “göreliliğin eş zamanlılığı”, olay ontolojisini ve blok evren argümanını destekler. Yanı sıra olay ontolojisi pek çok zorluğu da beraberinde getirir. Bu makalede, olayların evrenin temel yapı taşları olduğu iddiasınının zorluklarını tartışacağım. (shrink)

Can literature make it possible to represent histories that are otherwise ineffable? Making use of the Deleuzian concept of “the powers of the false,” Doro Wiese offers readings of three novels that deal with the Shoah, with colonialism, and with racialized identities. She argues that Jonathan Safran Foer’s Everything Is Illuminated, Richard Flanagan’s Gould’s Book of Fish, and Richard Powers’s The Time of Our Singing are novels in which a space for unvoiced, silent, or silenced difference is created. Seen through (...) the lens of Deleuze and his collaborators’ philosophy, literature is a means for mediating knowledge and affects about historical events. Going beyond any simple dichotomy between true and untrue accounts of what “really” happened in the past, literature’s powers of the false incite readers to long for a narrative space in which painful or shameful stories can be included. (shrink)