There are two aspects to Wittgenstein’s method of deconstructing pseudo-philosophical problems that need to be distinguished: (1) describing actual linguistic practice, and (2) constructing hypothetical ‘language-games’. Both methods were, for Wittgenstein, indispensable means of clarifying the ‘grammar’ of expressions of our language -- i.e., the appropriate contexts for using those expressions – and thereby dissolving pseudo-philosophical problems. Though (2) is often conflated with (1), it is important to recognize that it differs from it in important respects. (1) can be seen (...) as functioning as a direct method of ‘proof’ (i.e., attempt to convince the reader of some thesis), and (2) as an indirect method of ‘proof’ -- proof by reductio ad absurdum. This essay will be devoted to clarifying (2) by forging an analogy with surrealism in art. (shrink)

I demonstrate that analogies, both explicit and implicit, between Wittgenstein’s discussion of rituals, aesthetics, and psychoanalysis (and, indeed, his own philosophical methodology) suggest that he entertained the idea that Freud’s psychoanalytic project, when understood correctly—that is, as a descriptive project rather than an explanatory-hypothetical one—provides a “surveyable representation” (übersichtliche Darstellung) of certain psychological facts (as opposed to psychological concepts). The consequences of this account are that it offers an explanation of Wittgenstein’s admiration for and self-perceived affinity to Freud, as well (...) as of his apparent “know-nothing approach” to empirical psychology. (shrink)

I demonstrate that analogies, both explicit and implicit, between Wittgenstein’s discussions of rituals, aesthetics, and aspect-perception, have important payoffs in terms of understanding his notion of a “surveyable representation” (übersichtliche Darstellung) as it applies to phenomena that are not exclusively grammatical in nature. In particular, I argue that a surveyable representation of certain anthropological and aesthetic facts allows us to see, qua form of aspect-perception, internal relations and formal connections, so that the inner nature of a ritual or the solution (...) of an aesthetic puzzle is exhibited. This particular form of seeing both explains why Wittgenstein thought that hypothetical explanations about the origins of a ritual are irrelevant to appreciating its meaning and elucidates his understanding of rituals, which involves seeing “internal relations” and “formal connections.” The upshots of the account for work in anthropology are discussed. (shrink)

What is philosophy? How is it possible? This essay constitutes an attempt to contribute to a better understanding of what might be a good answer to either of these questions by reflecting on one particular characteristic of philosophy, specifically as it presents itself in the philosophical practice of Socrates, Plato and Wittgenstein. Throughout this essay, I conduct the systematic discussion of my topic in parallel lines with the historico-methodological comparison of my three main authors. First, I describe a certain neglected (...) aspect of the Socratic method. Then, exploring the flipside of this aspect, I show that despite the fact that both Socrates and Wittgenstein understand their philosophical approaches as being essentially directed at the particular problems and modes of understanding that are unique to single individuals, they nevertheless aspire to philosophical understanding of the more ‘mundane’ kind that is directed at the world. Finally, interpreting parts of Plato’s dialogues Phaedrus and Laches, I further develop my case for seeing the role of mutual understanding in philosophy as fundamentally twofold, being directed both at the individual and what they say (the word), and at things that are ‘external’ to this human relation at any particular moment of philosophical understanding (the world). (shrink)

Wittgenstein’s remark to Drury that he looks at philosophical problems from a religious point of view has greatly puzzled commentators. The paper argues that the readings given by commentators Malcolm, Winch and Lebron are illuminating, but inadequate. Second, using Wittgenstein’s “use-conception of meaning” as an example, the paper proposes a more adequate reading that emphasizes Wittgenstein’s view that “nothing is hidden”. In this connection, the paper examines Fodor’s critique of Wittgenstein’s “use-conception” and shows how Fodor only refutes a “misuse-conception meaning” (...) because he presupposes a kind of linguistic meaning, the kind that Wittgenstein emphasizes, that is “already before his eyes”. Wittgenstein’s view that the truth is already before one’s eyes is further explained by employing an ethical analogy with Raskolnikov’s enlightenment in Dostoevsky’s Crime and Punishment. Finally, the paper addresses the difficult question whether Wittgenstein is, despite his own denials, “a religious man”, and argues that there is a non-trivial religious dimension in Wittgenstein’s life but that there are several important senses in which Wittgenstein is correct that he is not a religious person. (shrink)

Resumo O objetivo deste artigo é apresentar os temas do “novo método” filosófico e da “Filosofia da Psicologia”, nos escritos tardios de Ludwig Wittgenstein, como relacionados prática e necessariamente. Para o proposto, a estratégia expositiva segue a seguinte ordem: analisam-se os pressupostos filosóficos relativamente irrefletidos que determinam a visão que o jovem Wittgenstein tinha do “método correto da Filosofia” e da “Filosofia da Psicologia”; interpreta-se a volta filosófica de 1929 como comprometida em apresentar o rosto ainda informe do “novo método” (...) e retomar criticamente os alvos do TLP, sob essa nova perspectiva metodológica; e considera-se a Filosofia da psicologia de Wittgenstein inserida numa perspectiva diferente da perspectiva da ciência psicológica do fim do século XIX e início do século XX, fundamentada em investigações empíricas. Essas observações constituem propriamente uma prática do “novo método” de apresentação perspícua e se caracteriza como um aspecto-chave e necessário, um filtro, para a compreensão das observações do filósofo em torno da psicologia e de seu objetivo em dissolver os problemas metafísicos ali presentes.The main purpose of this article is to present the themes of the philosophical “new method” and the “philosophy of psychology” in Ludwig Wittgenstein’s late writings as practically and necessarily related. For the proposed, our expository strategy follows the following order: we analyzed the relatively unreasonable philosophical presuppositions that determine the young Ludwig’s view of the “correct method of philosophy” and of “philosophy of psychology”; we interpreted the philosophical turn of 1929 as committed to presenting the still-informed face of the “new method” and to critically revisiting the TLP targets under this new methodological perspective; and we considered Wittgenstein’s philosophy of psychology inserted in a different perspective from the perspective of the psychological science of the late nineteenth and early twentieth century based on empirical investigations. These observations are properly a practice of the “new method” of perspicuous presentation and they are characterized as a key and necessary aspect, a filter, for the understanding of the philosopher’s observations about psychology, and his goal in dissolving the metaphysical problems present there. (shrink)

While Wittgenstein wrote unconventionally and denied that he was advancing philosophical theses, most of his interpreters have attributed conventional philosophical theses to him. But the best recent interpretations have taken the form of his writing and his distinctive way of doing philosophy seriously. The 1980s have also seen the emergence of a body of work on Wittgenstein that makes extensive use of the unpublished Wittgenstein papers. This work on Wittgenstein's method and his way of writing are the main themes of (...) this literature review.Section 1 surveys Wittgenstein's conception of philosophical method and its reception. Section 2 is a review of recent work on rule-following and the methodological issues it raises. Section 3 concerns research on the WittgensteinNachlass and its implications for the interpretation of his philosophy. (shrink)

In his last papers about deontic logic, von Wright sustained that there is no genuine logic of norms. We argue in this paper that this striking statement by the father of deontic logic should not be understood as a death sentence to the subject. Rather, it indicates a profound change in von Wright's understanding about the epistemic and ontological role of logic in the field of norms. Instead of a logical constructivism of deontic systems revealing a necessary structure of prescriptive (...) discourse, which marked his earlier efforts, he adopted the view that such systems should be seem as mere objects of comparison, i.e. as providing practical standards of rationality for normgiving activity. Within such view he proposed an interpretation of standard deontic logic in such a way to free deontic logicians from the philosophical difficulties related to the so-called Jørgensen's dilemma and deontic paradoxes. This effort, as we claim in the present paper, is an application of Wittgenstein's therapeutic method to dissolve philosophical difficulties caused by the use of logical tools to model relations between norms. (shrink)

This study examines the relativistic aspects of Arnold Schoenberg's harmonic and aesthetic theories in the light of a framework of ideas presented in the early writings of Ludwig Wittgenstein, the logician, philosopher of language, and Schoenberg's contemporary and Austrian compatriot. The author has identified correspondences between the writings of Schoenberg, the early Wittgenstein, and the Vienna Circle of philosophers, on a wide range of topics and themes. Issues discussed include the nature and limits of language, musical universals, theoretical conventionalism, word-to-world (...) correspondence in language, the need for a fact- and comparison-based approach to art criticism, and the nature of music-theoretical formalism and mathematical modeling. Schoenberg and Wittgenstein are shown to have shared a vision that is remarkable for its uniformity and balance, one that points toward the reconciliation of the positivist-relativist dualism that has dominated recent discourse in music theory. Contrary to earlier accounts of Schoenberg's harmonic and aesthetic relativism, this study identifies a solid epistemological core underlying his thought, a view that was very much in step with Wittgenstein and the Vienna Circle, and thereby with the most vigorous and forward-looking stream in early twentieth century intellectual history. (shrink)