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Augustine

In Ted Honderich (ed.), The Philosophers: Introducing Great Western Thinkers. New York: Oxford University Press (1995)

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  1. (1 other version)Signification and truth epistemology at the crossroads of semantics and ontology in Augustine's early philosophical writings.Laurent Cesalli & Nadja Germann - 2008 - Vivarium 46 (2):123-154.
    This article is about the conception of truth and signification in Augustine's early philosophical writings. In the first, semantic-linguistic part, the gradual shift of Augustine's position towards the Academics is treated closely. It reveals that Augustine develops a notion of sign which, by integrating elements of Stoic epistemology, is suited to function as a transmitter of true knowledge through linguistic expressions. In the second part, both the ontological structure of signified (sensible) things and Augustine's solution to the apparent tautologies of (...)
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  • Conditional will and conditional norms in medieval thought.Simo Knuuttila & Taina Holopainen - 1993 - Synthese 96 (1):115 - 132.
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  • Aristotle, Arabic.Marc Geoffroy - 2011 - In H. Lagerlund (ed.), Encyclopedia of Medieval Philosophy. Springer. pp. 105--116.
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  • Foreknowledge, Free Will, and the Divine Power Distinction in Thomas Bradwardine's De futuris contingentibus.Hogarth Rossiter Sarah - unknown
    Thomas Bradwardine (d. 1349) was an English philosopher, logician, and theologian of some note; but though recent scholarship has revived an interest in much of his work, little attention has been paid to an early treatise he wrote on the topic of future contingents, entitled De futuris contingentibus. In this thesis I aim to address this deficit, arguing in particular that the treatise makes original use of the divine power distinction to resolve the apparent conflict between God’s foreknowledge on the (...)
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  • La música y los límites del mundo. Un estudio desde Agustín de Hipona y Eugenio Trías.Diego I. Rosales Meana - 2013 - Anales Del Seminario de Historia de la Filosofía 30 (1):27-47.
    This work focuses on the role that music has in the constitution of the World as a philosophical category. I explore the work of Eugenio Trías and Augustine of Hippo, and the way both philosophers have conceptualized music in relation to the constitution of the time of the World. For Trías music is not about the World but about its limits and, in that way, gives it a form. For Augustine music relates man to universe’s ordo , liberating him from (...)
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