Switch to: References

Add citations

You must login to add citations.
  1. Dance Improvisational Cognition.Klara Łucznik & Frank Loesche - 2017 - Avant: Trends in Interdisciplinary Studies 8 (T):227-238.
    Research into group creativity with its dynamic, interpersonal, and multi-perspective character poses many challenges, among others, how to collect data and capture its shared nature. In this paper, we discuss the creative process of an ensemble in dance improvisation as an example of vivid and collaborative creative practice. To identify aspects of improvisational dance cognition, we designed and applied a video-stimulated recall approach to capturing the multiple perspectives of the shared creative process. We tested the method during an improvisational session (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • Prospecting performance: rehearsal and the nature of imagination.Shaun Gallagher & Zuzanna Rucińska - 2021 - Synthese 199 (1-2):4523-4541.
    In this paper we explore the notion of rehearsal as a way to develop an embodied and enactive account of imagining. After reviewing the neuroscience of motor imagery, we argue, in the context of performance studies, that rehearsal includes forms of imagining that involve motor processes. We draw on Sartre’s phenomenology of imagining which also suggests that imagining involves motor processes. This research in neuroscience and phenomenology, supports the idea of an embodied and enactive account of imagination.
    Download  
     
    Export citation  
     
    Bookmark   7 citations  
  • Dance Is More Than Meets the Eye—How Can Dance Performance Be Made Accessible for a Non-sighted Audience?Bettina Bläsing & Esther Zimmermann - 2021 - Frontiers in Psychology 12.
    Dance is regarded as visual art form by common arts and science perspectives. Definitions of dance as means of communication agree that its message is conveyed by the dancer/choreographer via the human body for the observer, leaving no doubt that dance is performed to be watched. Brain activation elicited by the visual perception of dance has also become a topic of interest in cognitive neuroscience, with regards to action observation in the context of learning, expertise and aesthetics. The view that (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • Embodied Cognition and the Magical Future of Interaction Design.David Kirsh - 2013 - ACM Transactions on Computer-Human Interaction 20 (1):30.
    The theory of embodied cognition can provide HCI practitioners and theorists with new ideas about interac-tion and new principles for better designs. I support this claim with four ideas about cognition: (1) interacting with tools changes the way we think and perceive – tools, when manipulated, are soon absorbed into the body schema, and this absorption leads to fundamental changes in the way we perceive and conceive of our environments; (2) we think with our bodies not just with our brains; (...)
    Download  
     
    Export citation  
     
    Bookmark   21 citations