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Hume, Sympathy, and the Theater

Hume Studies 29 (2):305-325 (2003)

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  1. Sympathy, Belief and Experience in David Hume.Sofía Beatriz Calvente - 2022 - Ideas Y Valores 71 (180):173-195.
    RESUMEN Aún no se ha explorado si el potencial comunicativo del principio humeano de simpatía se limita al intercambio de sentimientos y emociones o si permite también compartir creencias. Mostraremos que Hume considera esta última posibilidad tanto a partir de la universalidad de la naturaleza humana y del carácter inherentemente social del hombre, como de la existencia de una interconexión entre pensamientos y sentimientos. Contrariamente a la opinión de diversos autores, afirmamos además que la experiencia propia no es condición de (...)
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  • Contra Una Interpretación Reduccionista Del Método Experimental de David Hume.Sofia Calvente - 2022 - Kriterion: Journal of Philosophy 63 (151):55-78.
    ABSTRACT A restricted interpretation of Humean methodology understands his experimentalism solely in terms of reducing epistemic statements to private sensory impressions accessible via introspection. My aim is to revise this interpretation by means of criticizing the connection it establishes between the maxim of not going beyond experience and the copy principle. I will show that this interpretation is inconsistent with the way Hume conceives the experimental method, since there is textual evidence to affirm that experience should not be understood in (...)
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  • Kinesthetic Empathy, Dance, and Technology.Andrew J. Corsa - 2016 - Polymath: An Interdisciplinary Arts and Sciences Journal 6 (2):1-34.
    I argue that when we use email, text messaging, or social media websites such as Facebook to interact, rather than communicating face-to-face, we do not experience the best kind of empathy, which is most conducive to experiencing benevolence for others. My arguments rely on drawing interdisciplinary connections between sources: early modern accounts of sympathy, dance theory, philosophy of technology, and neuroscience/psychology. I reflect on theories from these disciplines which, taken together, suggest that to empathize optimally, we must see or hear (...)
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