ABSTRACT This article addresses the ethico-political implications of “living together” as the performative articulations of a generative movement (a running morphogenesis) that rests on nothing and to which there is no outside. It argues that any social, political, or intellectual movement that does not avow this différantial movement that comprehends it—and so that does not contest phantasms of purity and presence enough to guard, in Édouard Glissant’s terms, the singularity of “the Diverse”—forecloses, in advance, any future to come and therefore (...) the possibility of living well together. (shrink)

Deconstruction and duration are arguably the two most important theories of time to emerge from French philosophy in the twentieth century. Yet, despite the resurgence of interest in Bergson, scholars have ignored Derrida’s own discussions of Bergson, both positive and negative, throughout his career. This lack of attention obscures an important influence on Derrida’s early thought, and hampers our ability to understand the nature of Derrida’s relationship to fields such as new materialism, posthumanism, and affect studies, that frequently turn to (...) Bergson for inspiration. This paper addresses this gap by tracking Derrida’s readings of Bergson and comparing two related pairs of their concepts: duration and différance, and intuition and spacing. The paper concludes by arguing that Derrida’s critical engagement with Bergson leads to an anti-presentist model of life, which gains new relevance in the Anthropocene. (shrink)

This article presents Derrida as a philosopher of history by reinterpreting his De la Grammatologie. In particular, it provides a schematic reconstruction of Part II of that book from the perspective of the problem of history. My account extends work on historicity in Derrida by privileging the themes of ‘history’ and ‘diagram’ in the Rousseau part. I thereby establish a Derridean concept of history which aims at accounting for the continuities and discontinuities of the past. This is in contrast to (...) some criticism that Derrida leaves behind, or inadequately accounts for history. Derrida describes a necessarily contorted condition of relating any historical event or development to itself or to another. This historicity informs other well-known aspects of Derrida's work, like the ‘quasi-transcendental’ terms he developed. I conclude that ‘history’ is a critical element in any understanding of deconstruction, and that deconstruction entails new kinds of history, but that some axioms of current historical thought require reformation. (shrink)

O texto busca explorar a relação entre Da Gramatologia, de Jacques Derrida, e a ciência da sua época. Ele parte de três importantes obras lidas e citadas por Derrida como fontes da sua pesquisa em torno à escritura, Madeleine V-David, André Leroi-Gourhan e a compilação de um Colloque, para explicar o papel da escritura em si mesma no pensamento de Derrida enquanto um sinal do seu materialismo. Paratanto, em contraste com o uso ordinário do termo “escritura”, busca compreendê-la metonimicamente como (...) inscrição sulcada no real, buscando a partir do debate interdisciplinar de Derrida entender as múltiplas dimensões pelas quais o problema foi pensado. (shrink)

O artigo pretende apresentar a neurofilosofia de Catherine Malabou em alguns dos seus principais eixos. Para tanto, após dividir a obra da filósofa em quatro segmentos, dirige-se aos estudos sobre o cérebro que investigam as questões epistemológicas e políticas que as neurociências colocam para as humanidades. A investigação se dá em três momentos: a) Que fazer do nosso cérebro?, que propõe superar o dualismo como modelo da resistência às neurociências e incorporar a biologia no altermundismo; b) os textos que criticam (...) a noção atual de biopolítica como chave para exclusão da problemática neuronal e biológica das principais questões ético-políticas do nosso tempo; e, finalmente c) a questão da inteligência artificial e como o problema do cérebro colabora para a construção de um novo paradigma na educação e na política a partir da relação com o cérebro azul artificial. Finalmente, conclui propondo uma internalização da problemática neurofilosófica como superação do gap natureza/simbólico que mantém as humanidades presas a uma ideia de transcendência. (shrink)

In this article I bring together Jacques Derrida and Luce Irigaray's engagements with Sigmund Freud's vexed attempt to step beyond the pleasure principle. Derrida's speculations on the name, the house and the practice of Freud find him inadvertently rewriting the conditions of the autobiographical as that which erases as much as inscribes, while Irigaray requires a sexually different modelling of what we call language if the experience of the girl is to be addressed. Yet Irigaray uncannily repeats the teleological gesture (...) of laying claim to a legacy, diagnosed in Freud by Derrida, even as this legacy is newly imagined as that of the feminine to which Freud remained blind. I then interweave these revised stakes of the fort-da game as they are expressed in two experimental films; Lynn Hershman Leeson's feature Conceiving Ada (USA, 1997) and Hussein Chalayan's short Absent Presence (UK/Turkey, 2005). One self-consciously concerns the recovery of ‘lost’ women from history (da!), the other investigates the treatment of the foreigner staged with an all-female cast (in which the instability of foreign objects can secure no fortification for the scientific subject). The films differently engage fantasies concerning genetics, and differently engage the projection of a legacy as teleological ambition. Privileging Derrida's transformation of the pleasure into the postal principle as that which invokes ‘Tele–without telos’, I ask after the transmissibility of this ambition. (shrink)