This work examines Gilles Deleuze’s concept of intensity and the role of this concept in his philosophy of technology. The work has two main objectives. First, it analyses the role of Deleuze’s theory of intensity in his metaphysical system and in his philosophy of technology. Second, on the basis of this theory, it presents an original analysis of the creative potential of technology. The importance of the concept of intensity in Deleuze’s philosophy has been acknowledged, but so far, his views (...) on intensity have not been analysed in terms of a consistent theory. Furthermore, the implications of Deleuze’s theory of intensity for his and Félix Guattari’s analysis of technology have been entirely overlooked. This thesis shows for the first time the pivotal role of intensity in Deleuze’s philosophy and demonstrates the importance of the concept of intensity for the analysis of technicity. Part I explicates Deleuze’s theory of intensity. For Deleuze, intensity is the nature of the gradual variation of material, heterogeneous wholes. Within such wholes, intensity characterises variation in processes of individuation and systemic transformation. Moreover, these intensive processes and transformations take place within a sphere of material immediacy. Part II fleshes out the implications of this theory for a philosophy of technics. It proposes a definition of technics as immediate interaction with material variation. Technics always has an established role as a component of a particular social system, but it also bears a constant undercurrent of creative and transformative potential. Finally, the current dominance of information technology and the potential for technical creativity in contemporary society are examined on the basis of the analysis of intensive technics. The work offers an original and comprehensive analysis of Deleuze’s theory of intensity and demonstrates his contribution to the philosophy of technology. It also clarifies the processual nature of materiality and the nature of systemic transformation. Finally, it offers conceptual tools for fathoming the constraints as well as the creative potential of technics in contemporary culture. (shrink)

La cuestión hermenéutica, es decir las cuestiones filosóficas que tratan del problema de la comprensión y de la interpretación de textos, de comportamientos sociales y de culturas ajenas, es con certeza uno de los problemas fundamentales del pensamiento filosófico del siglo XX. Filósofos tan distintos como Heidegger y Habermas, Gadamer y Derrida, para sólo mencionar algunos, tienen este cuestionamiento como punto común. La relevancia de este tema para la filosofía actual fue motivo para elaborar en este seminario dos posiciones fundamentales (...) en el contexto de esta discusión, representadas por la filosofía de Wilhelm Dilthey y de Friedrich Nietzsche. (shrink)

A general definition of consciousness that accommodates most views (Vimal, 2010b) is: “ ‘consciousness is a mental aspect of a system or a process, which is a conscious experience, a conscious function, or both depending on the context and particular bias (e.g. metaphysical assumptions)’, where experiences can be conscious experiences and/or non-conscious experiences and functions can be conscious functions and/or non-conscious functions that include qualities of objects. These are a posteriori definitions because they are based on observations and the categorization.” (...) Non-conscious experiences are equivalent to relevant proto-experiences and nonconscious functions are equivalent to related proto-functions at various levels as these terms are precursors of respective conscious subjective experiences and conscious functions aspect of consciousness. The non-conscious experiences and non-conscious functions may be considered as a part of the definition of mind and/or awareness. (shrink)

The notion of modernism, originally a classificatory term in art and literary criticism, now a common term of art in many philosophic (and anti?philosophic) programs, has remained an elusive, often vague point of view. For a discussion of the notion's historical accuracy and philosophic legitimacy this article selects an author greatly responsible for setting out the problem (called by him ?nihilism') and philosophically sensitive to the issues involved in claiming that something essential to a tradition has ?ended? and something new (...) ?begun?: Nietzsche. Such issues are: what needs to be shown in order to demonstrate that indeed a complete ?break? in a tradition has occurred, especially if part of that claim is that this break ought to have occurred? And: what consequences follow, particularly with respect to the possibility of ?post?modern? ?justification'? Nietzsche's answers to these questions are more subtle than has been appreciated, and can, when pursued properly, help reveal the strengths and weaknesses of such post?Nietzscheans as Heidegger, Deleuze, Foucault, and Derrida. (shrink)