This article argues that phenomenological sociology has great potential to provide a strong theoretical support to the Sociocognitive Approach in Critical Discourse Studies. SCA is interested in the interconnections between knowledge, discourse and society while placing subjectivity in the centre of its framework. It looks into the correlative relationship between personal- and socially shared knowledge, and the significance of these correlations to discourse production and interpretation. Analogously, phenomenological sociology explores the interrelated structures of subjectivity, knowledge and the social world. It (...) systematically analyses the conditions and forms of intersubjective understanding and the mutually constitutive relationship between subjective- and objective knowledge. Given the considerable overlap between the subject matter of phenomenological sociology and that of SCA, the purpose of the article is to draw the attention of critical discourse analysts to a neglected but extremely resourceful field. Following a brief introduction to SCA, the article will address some of SCA’s key concepts in conjunction with the phenomenological-sociological insight. (shrink)

This study develops a biosemiotic framework for a descriptive phenomenology. We incorporate the set utterance-genre-lifeworld in biosemiotic theory by paralleling it with the Peircean-Uexküllean notions of sign, habit, and Umwelt (respectively). This framework for empirical semiotic studies aims to complement the concepts of affordance and scaffold, as applied in studies on learning.The paper also contributes to bridging Bakhtinian-Hallidayian-Habermasian views on utterance, genre, and lifeworld with biosemiotics. We exploit the possibility that biosemiotics offers to bring together hermeneutic and phenomenological analysis. We (...) relate these views to integrated levels in a systemic framework for communication. Signs are seen as inter-dependent construction elements in utterances. Repeated use of utterances in shifting contexts generates shared recognizable kinds of communication, or genres. ‘Life-genre’ is used in a zoo-communication context, to avoid anthropocentrism. Life-genre serves animals’ life-functions. Genres make up a systemic network of communicational resources, along with the related concepts of event, affordance, and scaffold. Utterance, genre, and lifeworld have five aspects, constituting an integrative approach to communication: form, content, act, time, and space. Semiosis and positioning are processes that connect aspects and levels. Levels, aspects, and processes make up the framework as a system.While biosemiotics supports a phenomenological notion of life-genre, in turn, this notion also contributes to the development of the former, bridging a gap between organisms’ sign experience on a micro-level and organisms’ phenomenal lifeworld/Umwelt. Comparisons of lifeworld and Umwelt reveal that, although not identical, these are sufficiently similar to be perceived as an overall macro-level for signs and communication. Starting from a construal of utterance and genre as dynamic, dialogical, and reciprocal, genre is positioned as meso-level, mediating between signs in utterances and the lifeworld/Umwelt level. We propose genres, understood as semiotic scaffoldings built through affordances, as an analytical concept to capture meso-level phenomena. Scaffolding is determined by both ongoing events and (pre-)available genres. Events are manifestations of these scaffolding processes.Identifying animal and educational communication as two particularly relevant fields for future applications, we compare key socio-semiotic concepts to the notions of sign, habit, and Umwelt. The notions affordance and scaffolding are particularly important to think of learning as continuous with adaptation.An overall aim is to broaden as well as finetune semiotic phenomenology as a platform for empirical analyses of communication. We conclude by exemplifying and summarizing how the framework facilitates this. (shrink)