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  1. (1 other version)Robin George Collingwood.Giuseppina D'Oro & James Connelly - 2010 - Stanford Encyclopedia of Philosophy.
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  • R. G. Collingwood and the Presence of the Past.Jonas Ahlskog - 2017 - Journal of the Philosophy of History 11 (3):289-305.
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  • Collingwood on Spinoza and the Social-Political Role of Art.Chinatsu Kobayashi & Mathieu Marion - 2024 - Human Affairs 34 (4):569-585.
    We argue that the proper context for understanding Collingwood’s The Principles of Art is his claim that it has bearing “upon the condition of art in England in 1937”. We thus argue that he formulated a philosophical argument that underpins avant-garde dramatic poetry and theatrical practices (Eliot, Auden and the Group Theatre), taking his interpretation of Spinoza’s Ethics 5 prop. 3 to be the book’s central thesis: it is through art that one knows, against the ‘corruption of consciousness’, what emotions (...)
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  • The power of story in group work: A critical conversation with Gadamer, White, and Gerkin for a theory of narrative practice in groups.Alexis Johnson Smith - unknown
    Using the theory of Michael White, Hans-Georg Gadamer, and Charles Gerkin, this thesis discusses how and why narrative therapy techniques work and how they could be applied in group or parish settings. It further explores using theory developed by Charles Gerkin regarding how spiritual reflective practice could be utilised in the narrative process to help people process their life experiences for hope and resilience. In examining similar and difference theoretic framings in Gadamer and White, the thesis discusses and develops a (...)
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