I begin by offering an account of two key strains in the history of philosophical dealings with death. Both strains initially seek to diminish fear of death by appealing to the idea that death is simply the separation of the soul from the body. According to the Platonic strain, death should not be feared since the soul will have a prolonged existence free from the bodily prison after death. With several dramatic modifications, this is the strain that is taken up (...) by much of the mainstream Christian tradition. According to the Epicurean strain, death should not be feared since the tiny pthesiss that make up the soul leave the body and are dispersed at the moment of death, leaving behind no subject to experience any evil that might be associated with death. Although informed by millennia of further scientific discovery, this is the strain picked up on by contemporary atheistic, technologically advanced mankind. My primary goal is to demonstrate that philosophy has an often-overlooked alternative to viewing death in terms of this ancient dichotomy. This is the alternative championed by Søren Kierkegaard and Martin Heidegger. Although both thinkers arise from the Christian tradition, they clearly react to Epicurean insights about death in their work, thereby prescribing a peculiar way of living with death that the Christian tradition seems to have forgotten about. Despite the association of Kierkegaard and Heidegger, there is a fundamental difference between them on the subject of death. In Being and Time Heidegger seems to rely on the phenomenology of death that Kierkegaard provides in texts such as "At a Graveside." It is interesting to notice, however, that this discourse, especially when seen in the light of Kierkegaard's more obviously religious works, might only be compelling to the aspiring Christian. If so, then perhaps there is a tension in both Heidegger's "methodologically atheistic" appropriation of Kierkegaard's ideas about death, and Heidegger's attempt to make these ideas compelling to the aspiring human. My secondary goal is to determine whether Heidegger takes the "existential philosophy of death" too far when he incorporates it into his early ontological project. (shrink)

This article presents conceptual bridges that exist between the philosophy of G.W.F Hegel and a feminist ethics of care. To do so, it engages with Slavoj Žižek’s contemporary reading of Hegel in concert with existing feminist interpretations of Hegel’s thought. The goal of doing so is to demonstrate how both Žižek and a selection of critical feminist thinkers interpret Hegel’s perspective on the nature of subjectivity, intersubjective relations and the relationship between the subject and the world it inhabits, in a (...) way that can further our thinking on the feminist ethics of care as a relational and contextualist ethics that foregrounds vulnerability as a condition of existence. These readings of Hegel highlight the radical contingency of human subjectivity, as well as the relationship between human subjectivity and the external world, in a way that is compatible with the feminist ethics of care’s emphasis on the particularity, fluidity, and interdependency of human relationships. I argue that this confrontation between care ethics and mainstream philosophy is valuable because it offers mutual contributions to both care ethics as a moral and political theory and the philosophy of Hegel and Žižek. (shrink)

This essay explores the question of why M figures in the names of all of Beckett’s major characters. I connect M to the word murmuring, which proliferates in his work, and I claim that Beckett was influenced by a passage in Dante’s Purgatorio, in which each face in a group of penitents is inscribed with the letter M. With a rounded eye socket below each arch, the faces of the penitents spell omo or man. I argue that M stands for (...) man – not the humanist form of man that existed for Dante, but rather a ruined figure that is adequate to this moment. Throughout, I engage with critical approaches to Beckett that attempt to connect the posthumanism suggested in his work with the new form of ethics – and of love – that it makes possible. (shrink)