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  1. Dramatic devices and philosophical content in Plato's Symposium.Carl O’Brien - 2012 - Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 9:73-84.
    O Banquete de Platão serve-se de recursos dramáticos diversos, tais como a história-moldura, a organização dos discursos e o ensino de Diotima enquanto meios de orientação do leitor pela mensagem filosófica subjacente, a qual inclui um exame do sistema socrático de educação. Os discípulos de Sócrates demonstram notável entusiasmo pela filosofia, mas parecem incapazes de distinguir o amor por Sócrates do amor pela sabedoria. Agatão ocupa posição de destaque: devido a um trocadilho com o seu nome, a jornada do jantar (...)
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  • Dramatic devices and philosophical content in Plato's Symposium.Carl O’Brien - 2012 - Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 9:73-84.
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  • Diotima and Demeter as mystagogues in plato’s.Nancy Evans - 2006 - Hypatia 21 (2):1 - 27.
    : Like the goddess Demeter, Diotima from Mantineia, the prophetess who teaches Socrates about eros and the "rites of love" in Plato's Symposium, was a mystagogue who initiated individuals into her mysteries, mediating to humans esoteric knowledge of the divine. The dialogue, including Diotima's speech, contains religious and mystical language, some of which specifically evokes the female-centered yearly celebrations of Demeter at Eleusis. In this essay, I contextualize the worship of Demeter within the larger system of classical Athenian practices, and (...)
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  • Diotima and Demeter as Mystagogues in Plato's Symposium.Nancy Evans - 2006 - Hypatia 21 (2):1-27.
    Like the goddess Demeter, Diotima from Mantineia, the prophetess who teaches Socrates about eros and the “rites of love” in Plato's Symposium, was a mystagogue who initiated individuals into her mysteries, mediating to humans esoteric knowledge of the divine. The dialogue, including Diotima's speech, contains religious and mystical language, some of which specifically evokes the female-centered yearly celebrations of Demeter at Eleusis. In this essay, I contextualize the worship of Demeter within the larger system of classical Athenian practices, and propose (...)
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