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  1. The Temporality of Musical Experience: Philosophical Models and Embodiment.Maria Kon - 2014 - Empirical Musicology Review 9:213-223.
    Recent philosophical work on temporal experience offers generic models that are often assumed to apply to all sensory modalities. I show that the models serve as broad frameworks in which different aspects of cognitive science can be slotted and, thus, are beneficial to furthering research programs in embodied music cognition. Here I discuss a particular feature of temporal experience that plays a key role in such philosophical work: a distinction between the experience of succession and the mere succession of experiences. (...)
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  • Straight to the point: Experiential punctivism and the perception of time.Henry Pollock - 2022 - Analysis 81 (4):674-683.
    The aim of this paper is to show that the A-theorist's argument from experience is undermined by a commitment to ‘experiential punctivism' - the view that instantaneous (or near-instantaneous) experiences are metaphysically prior to durative ones. The experiences to which the A-theorist's argument appeals are those of processual events. For these experiences to constitute perceptions of temporal passage it would be necessary to perceive such processes qua processes; but, if experiential punctivism were true, this would be impossible. We could only (...)
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  • Crane and the mark of the mental.Andrea Raimondi - 2022 - Analysis 81 (4):683-693.
    Brentano’s suggestion that intentionality is the mark of the mental is typically spelled out in terms of the thesis that all and only mental states are intentional. An influential objection is that intentionality is not necessary for mentality. What about the idea that only mental states are intentional? In his 2008 paper published in Analysis, Nes shows that on a popular characterization of intentionality, notably defended by Crane, some non-mental states come out as intentional. Crane replies that the concept of (...)
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