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  1. Alexander Scriabin as a Russian Cosmist.Ali Yansori - 2024 - Studies in East European Thought 76 (2):305-331.
    In the secondary literature on Scriabin, it is not uncommon to come across the names of philosophers such as Nikolai Fyodorov, Vladimir Solovyov, and Nikolai Berdyaev. The present paper examines the shared characteristics between Scriabin’s philosophy and the ideas of such figures who are typically referred to as Russian Cosmists. In doing so, the paper illustrates what new insights we can gain by considering Scriabin from the perspective of Russian Cosmism. Despite the overwhelming evidence of Russian Cosmists’ significant influence on (...)
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  • Richard Taruskin—knight of Russian music.Marina Ritzarev - 1998 - The European Legacy 3 (6):65-75.
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  • The Rite Signs: Semiotic Readings One Hundred Years On.Nicholas P. McKay - 2016 - Avant: Trends in Interdisciplinary Studies 7 (1):15-35.
    One hundred years on from the infamous premiere of The Rite of Spring, Stravinsky’s epoch-defining ballet continues to evoke controversy and contention in both musicological and performance circles. Even to call it a ballet is to overlook, or compound, its problematic identity. Throughout its life span, most audiences will have encountered, valorised and identified the work as a landmark of orchestral musical modernism heard primarily, perhaps even exclusively, in concert halls and on audio recordings with not a dancer, theatre stage (...)
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  • Music—Drastic or Gnostic?Carolyn Abbate - 2004 - Critical Inquiry 30 (3):505-536.
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