Switch to: References

Add citations

You must login to add citations.
  1. Suspension as a mood.Benoit Guilielmo & Artūrs Logins - forthcoming - Philosophical Psychology.
    Suspension of judgment is a ubiquitous phenomenon in our lives. It is also relevant for several debates in contemporary epistemology (e.g., evidentialism/pragmatism; peer-disagreement/higher-order evidence; inquiry). The goal of this paper is to arrive at a better understanding of what suspension of judgment is. We first question the popular assumption that we call the Triad view according to which there are three and only three (paradigmatic) doxastic attitudes, namely, belief, disbelief, and suspension of judgment. We elaborate a cumulative argument regarding crucial (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • A Little Mood Music: On the Relationship between Musical and Psychological Moods.Tatyana Kostochka - forthcoming - British Journal of Aesthetics.
    We regularly talk about music as if it has moods or, at least, expresses moods. However, the relationship between psychological and musical moods remains mysterious. Music doesn’t have feelings, so how could it have moods? To make up for that, many philosophers have provided theories of expression that don’t rely on music actually possessing anything mood-like. In this paper, I argue that if we take seriously an account of psychological moods that includes patterns of attention as part of the mood (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • Moods and situations.Francisco Gallegos - forthcoming - Inquiry: An Interdisciplinary Journal of Philosophy.
    Do moods have intentional objects? If so, what kinds of intentional objects might they have? Some theorists hold that moods are objectless affective states, not ‘about’ anything. Others argue that moods are directed toward a maximally general object like ‘the world’, and so they are about everything, in some sense. In this article, I advance a new theoretical account of the intentional object of moods. According to what I call the ‘present-situation view’, moods are directed toward, or about, the present (...)
    Download  
     
    Export citation  
     
    Bookmark