No Aggression, Only Teasing: The Pragmatics of Teasing and Banter A bone of contention among researchers is whether the primary function of humour is the expression of aggression against the hearer or the promotion of solidarity between the interlocutors. It is commonly averred that teasing boasts a dichotomous nature, i.e. malignant and benevolent. The former coincides with the potential for criticising, mocking and ostracising the interlocutor, whereas the latter accounts for playfulness and bonding capacity.The overriding goal of the paper is (...) to expound the rapport-building function, which is here postulated to be inherent to teasing. First and foremost, I will determine the scope of interest differentiating between putdown humour and teases, which may assume the form of retorts and develop into multi-turn teases, i.e. banter. Subtypes of teasing will be discussed with a view to proving that it is inherently devoid of genuine aggressiveness. The underlying premise is that teases, even if ostensibly aggressive, i.e. face-threatening, are geared towards solidarity, in conformity with the framework of politeness, including mock impoliteness, holding between intimates. Also, teases fulfil a few subordinate functions such as defunctionalisation or mitigation of face-threatening messages they may carry. (shrink)

The article deals with larger stretches of talk-in-interaction and argues in favor of a descriptive approach, which integrates the structural requirements of global organization, the special type of sequential orderliness within larger units as well as the genre-orientation of these units. Drawing on previous work in conversation analysis, discourse analysis and the sociological genre analysis, the article introduces GLOBE as an analytical tool which functionally links discourse units to conventionalized communicative purposes. GLOBE reconstructs the interactive achievement of genre-oriented discourse units (...) in a three-branch analysis of jobs, devices and forms. The analytical potential of GLOBE is demonstrated in the exemplary genre-contrastive analysis of a narrative, an explanative and an argumentative excerpt. On the basis of the analyses of the three genres, the overarching constitution of genre-oriented global units is then explicated. (shrink)

Introduction to Special Issue on Humour: A Modest Attempt at Presenting Contemporary Linguistic Approaches to Humour Studies.

There Is Method in the Humorous Speaker's Madness: Humour and Grice's Model The interdependence between humour and the Cooperative Principle appears to be a bone of contention in pragmatic studies on verbal humour. The wellentrenched approach advocated by Raskin and Attardo is that jokes constitute the non-bona-fide mode of communication standing vis-à-vis the Gricean model and governed by a humour-CP, and that they violate, not merely flout, the maxims and even the CP. The aim of the article is to shed (...) new light on the interdependence between humour and the CP with a view to substantiating that the authors who regard humour as an independent communicative mode and as an intrinsic violation of maxims and the CP appear to labour under a serious misapprehension. It will be argued that the Gricean model of cooperative rationality does allow for humorous verbalisations, which normally rely on maxim flouts. (shrink)