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  1. ‘Inter~Place’—Phenomenology of Embodied Space and Place as Basis for a Relational Understanding of Leader- and Followship in Organisations.Wendelin Küpers - 2010 - Environment, Space, Place 2 (1):81-121.
    Based on insights of phenomenology, this article aims to contribute to a comprehensive understanding of embodied space and place of and for leader- and followership in organisations. From an interrelational perspective, the “spacing” and implacement of leadership and followership will be interpreted as local-historical and as local-cultural processes. Linked to questions of distance of leadership, embodied face-to-face interaction will be critically compared with distant, non-localised, displaced relationships and tele-presence mediated by information and communication technology. In addition to outlining some links (...)
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  • Playing with your self: A philosophical exploration of attitudes and identities in games.Liam Miller - unknown
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  • The Corporeal Body in Virtual Reality.Craig D. Murray & Judith Sixsmith - 1999 - Ethos: Journal of the Society for Psychological Anthropology 27 (3):315-343.
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  • The Phenomenology of the Pipe Organ.Michael R. Kearney - 2020 - Phenomenology and Practice 15 (2):24-38.
    An extended illustration from Merleau-Ponty’s Phenomenology of Perception describes the interplay of habit, sedimentation, and intersubjectivity in the practice and performance of a skilled organist. This paper takes up Merleau-Ponty’s example in order to describe some of the phenomenological characteristics of embodied musical performance. These characteristics point toward an intersubjective event of “consecration,” as Merleau-Ponty describes it, in which the musician adopts the role of rhetor, inviting the audience into a shared dwelling place.
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