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  1. Utterance-genre-lifeworld and Sign-habit-Umwelt Compared as Phenomenologies. Integrating Socio- and Biosemiotic Concepts?Alin Olteanu & Sigmund Ongstad - 2024 - Biosemiotics 17 (2):523-546.
    This study develops a biosemiotic framework for a descriptive phenomenology. We incorporate the set _utterance-genre-lifeworld_ in biosemiotic theory by paralleling it with the Peircean-Uexküllean notions of _sign_, _habit_, and _Umwelt_ (respectively). This framework for empirical semiotic studies aims to complement the concepts of _affordance_ and _scaffold_, as applied in studies on learning. The paper also contributes to bridging Bakhtinian-Hallidayian-Habermasian views on utterance, genre, and lifeworld with biosemiotics. We exploit the possibility that biosemiotics offers to bring together hermeneutic and phenomenological analysis. (...)
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  • Semiocide as Negation: Review of Michael Marder’s Dump Philosophy. [REVIEW]Yogi Hale Hendlin - 2024 - Biosemiotics 17 (1):233-255.
    This review admires Michael Marder’s inquiry as a parallel for which biosemiotics can find points of conceptual resonance, even as methodological differences remain. By looking at the dump of ungrounded semiosis – the semiotics of dislocating referents from objects, and its effects – we can better do the work of applying biosemiotics not just towards the wonders of living relations, but also to the manifold ways in which industrial civilization is haphazardly yet systematically destroying the possibility for spontaneous yet contextualized (...)
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  • Beauty: Synthesis of Intellect and Senses Commentary on the Biosemiotic Fundamentals of Aesthetics.Tim Ireland - 2022 - Biosemiotics 15 (1):47-55.
    In The Biosemiotic Fundamentals of Aesthetics: Beauty is the Perfect Semiotic Fitting Kull makes a foray into the concept of Beauty. His target article is a welcome contribution not only for providing a biosemiotic notion of beauty but also as a trigger for further enquiry into the matter. Additionally, Kull delivers a new concept: Semiotic Fitting, shining new light on the Umwelt theory. My commentary embraces the challenge Kull presents. Offering an alternate view on beauty, as a matter, and product, (...)
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  • Beauty: Synthesis of Intellect and Senses Commentary on the Biosemiotic Fundamentals of Aesthetics: Beauty is the Perfect Semiotic Fitting by Kalevi Kull.Tim Ireland - forthcoming - Biosemiotics:1-9.
    In The Biosemiotic Fundamentals of Aesthetics: Beauty is the Perfect Semiotic Fitting Kull makes a foray into the concept of Beauty. His target article is a welcome contribution not only for providing a biosemiotic notion of beauty but also as a trigger for further enquiry into the matter. Additionally, Kull delivers a new concept: Semiotic Fitting, shining new light on the Umwelt theory. My commentary embraces the challenge Kull presents. Offering an alternate view on beauty, as a matter, and product, (...)
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  • Aesthetics or Communication?: Social Semiotic Traits of Structured Forms in Studies of “Animal Beauty”.Sigmund Ongstad - forthcoming - Biosemiotics:1-24.
    The article investigates basic relations between aesthetics and communication based on studies of and discussions about what has been termed “animal beauty”. The concepts _beauty_, _aesthetics_, and _communication_ are problematised, starting from utterances’ _structured form_, which is seen both as the physical basis for as well as one of five key aspects in animal utterances (form, content, act, time, and space). The relational, and thus social semiotic, communicational role of this aspect is searched in different studies leading to two major (...)
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  • Technology and Interspecies Musical Practice.Susanne Kass - 2024 - Biosemiotics 17 (2):565-585.
    This case study on the work of interspecies musician David Rothenberg explores how engaging with the songs and rhythms of other species continues to challenge his musical practice and aesthetic. Technology, science and art come together in an artistic and research practice, which is grounded in the belief that technologies can bring us _closer_ to nature. The article outlines how Umwelt theory, enactive music cognition, biosemiotics and the phenomenology of human-technology relations are engaged in the perception and creation of musical (...)
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  • Beauty is not a Rare Thing.David Rothenberg - 2022 - Biosemiotics 15 (1):27-29.
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  • Semiotics, Biosemiotics, and Aesthetics: the Concept of Beauty and Beyond.Mark Reybrouck - 2022 - Biosemiotics 15 (2):385-389.
    This short commentary expands a little on the disciplinary history of semiotics and biosemiotics, and its relation to aesthetics. It aims at positioning Kalevi Kull’s approach to this elusive matter (Kull, 2022 ) within this broader field by commenting on his attempts to connect semiotics, aesthetics, and biology. It highlights the merits of his approach to proceed thereafter to formulate possible extensions and directions for future research.
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  • Grounding Biosemiotic Aesthetics: Extensions Back and Forward.Riin Magnus - 2022 - Biosemiotics 15 (1):41-45.
    Based on his previous elaborations on semiotic fitting, Kalevi Kull develops a relations-focused theory of beauty in the organic world. I will point to further strands of thought in the Western history of ideas that have introduced the convergence of the aesthetic and organic. The reflections of Immanuel Kant and the early romantics are foundational for these parallels, although not necessarily in concordance with the biocentric and biosemiotic stance of Kull. This comment also raises some questions related to the compatibility (...)
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  • Collateral Beauty, Adjacent Semiosis.Timo Maran - 2022 - Biosemiotics 15 (1):37-40.
    Kalevi Kull’s biosemiotic aesthetics has apparent potential for ecosemiotics. This potentiality will be elaborated through the concepts of collateral beauty and adjacent semiosis. If diverse organisms aim towards better fitting, perfection, and beauty, than aesthetics arises in ecosystems occasionally yet recurrently. Perceiving such collateral beauty becomes an effective means to create new semiotic connections and associations, thereby contributing to the integrity and coherence of the semiotic system. Collateral beauty may help humans become better connected with the broader ecosemiosphere, or to (...)
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  • The Musical Turn in Biosemiotics.Matthew A. Slayton & Yogi Hale Hendlin - 2023 - Biosemiotics 16 (2):221-237.
    Human music and language are two systems of communication and expression that, while historically considered to overlap, have become increasingly divergent in their approach and study. Music and language almost certainly co-evolved and emerged from the same semiotic field, and this relationship as well as co-origin are actively researched and debated. For the sake of evaluating the semiotic content of zoomusicology, we investigate music from a ‘bottom-up’ biosemiotic functionalist account considering iconic, indexical, and symbolic forms of meaning not in a (...)
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