Alva Noë’s strategy to solve the puzzle of perceptual presence entirely relies on the principle of presence as access. Unaccessed or unattended parts or details of objects are perceptually present insofar as they are accessible, and they are accessible insofar as one possesses sensorimotor skills that can secure their access. In this paper, I consider several arguments that can be opposed to this claim and that are chiefly related to the modal status of action, i.e. the fact that the action (...) that would secure access to the absent aspects is a possibility, something that can be done. The main difficulty Noë’s account must face is –as several situations demonstrate– that the action that should be performed for the absent aspects to be actually accessed does not have to be itself available for these aspects to be perceptually present. What matters for the absent aspects to be present is not their de facto accessibility, but their de jure accessibility. To overcome those difficulties, I propose to rely on a ternary model of the role of action possibilities in perceptual awareness. This model builds on Husserl’s analysis of the role of perceptual circumstances in perception and connection between sense registering and horizontal intentionality. (shrink)

The aim of this article is to examine Edmund Husserl’s theory of aesthetic consciousness and the possibility to apply it to site-specific art. The central focus will be on the idea of the limited synthetic unity of the aesthetic object that is introduced by Husserl in order to differentiate positional and aesthetic attitude towards the object. I claim that strongly site-specific art, which is a work of art about a place and in the place, challenges the view that the synthetic (...) unity of the aesthetic object is limited. Moreover, following Husserl’s theory, it becomes questionable whether strongly site-specific art is art at all. I try to answer these objections by explaining how the artist prescribes the appearances and boundaries of a strongly site-specific object of art, thereby satisfying the demand for the limitedness of the synthetic unity of the aesthetic object. (shrink)

Je prends ici comme prétexte la parution aux éditions Nijhoff des Leçons professées par E. Husserl durant le semestre d'été 1908 à Göttingen sur sa doctrine de la signification, Vorlesungen ueber Bedeutungslehre Sommersemester 1908 (1987), afin de faire le point sur les changements qui interviennent durant cette période concernant sa conception de la signification. L'importance du contenu de ces Leçons a déjà été signalée par quelques phénoménologues dont G. Küng (1973), R. Bernet (1979). D. W. Smith et R. McIntyre (1982) (...) et par Husserl (1968) lui-même dans une lettre à R. Ingarden. Il semble que ces Leçons marquent ce qu'on pourrait appeler un «tournant frégéen» dans la conception husserlienne de la signification et qu'elles préparent le sol sur lequel s'édifie la théorie de l'intentionalité des Idées directrices. (shrink)

This essay explores Edmund Husserl's significance for contemporary truth theory. Focusing on his Logical Investigations, it argues that early Husserl's conception of truth unsettles a common polarity between epistemic and nonepistemic approaches. Unlike contemporary epistemic conceptions of truth, he gives full weight to “truth makers” that have their own being: objective identity, perceptible objects, and states of affairs. Yet, unlike contemporary nonepistemic conceptions, he also insists on the intentional givenness of such truth makers and on the complexity of the experiences (...) within which propositional truth claims arise. To develop this argument, the essay explains how early Husserl's conception of truth builds on his phenomenology of intentional experience and knowledge. By emphasizing an objective identity between what is signitively meant and intuitively given, Husserl's approach provides a way to resituate propositional truth within a broader and more dynamic conception of truth. (shrink)

In 2014, Morten Tønnessen and the editors of Biosemiotics officially launched the Biosemiotic Glossary Project in the effort to: solidify and detail established terminology being used in the field of Biosemiotics for the benefit of newcomers and outsiders; and to by involving the entire biosemiotics community, to contribute innovatively in the theoretical development of biosemiotic theory and vocabulary via the discussions that result. Biosemiotics, in its concern with explaining the emergence of, and the relations between, both biological ‘end-directedness’ and semiotic (...) ‘about-ness’, would seem a fertile field for re-conceptualizing the notion of intentionality. The present project is part of a systematic attempt to survey and to document the current thinking about this concept in our field. (shrink)

The most striking feature of Meinong's theory of intentionality is his thesis that every mental act has its reference‐object “beyond being and non being”. This theory seems, at first, to be a clear example of the so called object‐theory of intentionality, as it introduces special “postulated” entities in the target‐position of the mental act. Closer examination, however, reveals in Meinong's works important elements of the mediator‐theory. Meinong speaks of auxiliary incomplete objects situated “between” the subject and the object of reference (...) and “mediating” the intentional access to the reference‐object. Moreover, even if the object of reference is of the simple nominal form, the mediating structure involves essentially propositional entities . In the paper we attempt to give a set‐theoretical interpretation of Meinong's theory in the frame of which we could eventually do without the incomplete mediating objects. Yet, some general epistemological considerations suggest the indispensability of such incomplete mediating structures. (shrink)

Confusion concerning the scientific study of consciousness is metanalysed by considering definitions of consciousness and the diversity of beliefs about consciousness and reality particularly as they are affected by information from anomalous experiences. This archival and theoretical examination reveals that the purported subjective nature of consciousness continues to create problems for its scientific study resulting in diversity in the academic community concerning the nature of consciousness. After a brief discussion in the first section of the confusion found in the literature (...) concerning consciousness, some of the referents of the term consciousness are defined in the second section. The third section consists of a summary of die results of a study by Baruss and Moore in which the disparity of versions of consciousness is related to differences in personal beliefs and purported experiences. In particular, purported anomalous experiences such as mystical experiences or out‐of‐body experiences are correlated with rejection of a physicalist interpretation of reality and a scientific mode of inquiry. Such experiences are discussed in the fourth section. It is indicated in the fifth section that the requirement for mterchangeability of observers in science has not been respected in some previous discussions of consciousness and that continued introspection of subjective experience and personal self‐exploration may be informative for a given investigator if not for everyone in the scientific community. (shrink)