Journal of International Political Theory, Ahead of Print. Harmony is a generally agreed-upon idea in international and diplomatic discourse. A common theme in multiple traditions of thought, Platonist and Confucian among others, it underlies today’s significant investments in musical activism, cultural diplomacy, conflict resolution and peace building. Yet despite this wide currency and long history, the idea of harmony seldom receives more than liminal attention in political theory. In the context of Western thought, an essay written in the 1830s by (...) the French philosopher Jean Reynaud offers a striking point of departure: Reynaud defines diplomacy as ‘the science of harmony among states’. This article, drawing from Reynaud’s text as well from the wider history of music, art and political thought, maps a series of conceptual fault lines that touch on the concept’s function in international thought; the inscription of difference, dissonance, conflict and even war within the idea of harmony; the hegemonic and imperial temptations harmony encompasses and legitimizes; and the theoretical sources of harmony in nature and artifice. In effect, the concept of harmony offers less a blueprint than a forum for imagining peace. (shrink)

Summary Bodin's Colloquium Heptaplomeres is one of the most important clandestine manuscripts of the early modern period. A fascinating dialogue between seven different religions it tackles some of the main debates of the early modern era. It has long in the historiography been recognised as a key text promoting toleration. However, a close reading of the text and a focus on the way in which it used and debated written authorities (from ancient literature to the Scriptures) directs us toward another (...) crucial issue of the period. Indeed, it challenges and questions received authorities by making use of the dialogue form to question each in turn. Each character relies on the likes of Aristotle, Augustine or the Bible to support their views only to see them challenged by the others through the use of counter interpretations or other authorities. This leads to seeing the text as fundamentally embedded in the sceptical arguments developing at the time, as noted by early modern readers who voiced their concerns about the way in which this text led to doubt, rather than about the potential toleration it promoted. (shrink)

Harmony is a generally agreed-upon idea in international and diplomatic discourse. A common theme in multiple traditions of thought, Platonist and Confucian among others, it underlies today’s significant investments in musical activism, cultural diplomacy, conflict resolution and peace building. Yet despite this wide currency and long history, the idea of harmony seldom receives more than liminal attention in political theory. In the context of Western thought, an essay written in the 1830s by the French philosopher Jean Reynaud offers a striking (...) point of departure: Reynaud defines diplomacy as ‘the science of harmony among states’. This article, drawing from Reynaud’s text as well from the wider history of music, art and political thought, maps a series of conceptual fault lines that touch on the concept’s function in international thought; the inscription of difference, dissonance, conflict and even war within the idea of harmony; the hegemonic and imperial temptations harmony encompasses and legitimizes; and the theoretical sources of harmony in nature and artifice. In effect, the concept of harmony offers less a blueprint than a forum for imagining peace. (shrink)