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  1. Democracy in an Age of Tragedy: Democracy, Tragedy and Paradox.Mark Chou - 2010 - Critical Horizons 11 (2):289-313.
    Democracy and tragedy captured a delicate poise in ancient Athens. While many today perceive democracy as a finite, unquestionable and almost procedural form of governance that glorifies equality and liberty for their own sake, the Athenians saw it as so much more. Beyond the burgeoning equality and liberty, which were but fronts for a deeper goal, finitude, unimpeachability and procedural norms were constantly contradicted by boundlessness, subversion and disarray. In such a world, where certainty and immortality were luxuries beyond the (...)
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  • Democracy and Defiance: Rancière, Lefort, Abensour and the Antinomies of Politics.Bryan Nelson - 2024 - Edinburgh University Press.
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  • The symbolic work of political discourse. Populist reason and its foundational myth.Javier Toscano - forthcoming - Philosophy and Social Criticism.
    This article locates Ernesto Laclau’s populist reason as a point of departure to understand the contemporary democratic logic and its so-called ‘excesses’. It argues that, even if resourceful, Laclau’s findings can be supplemented with a theory of the imaginary as developed by Cornelius Castoriadis, as well as with key remarks from a discussion of the theologico-political as this was characterized by Claude Lefort. The aim is to construct an understanding on the political as it is structured by language and the (...)
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  • A Select Bibliography.Jacques Rancière - 2005 - Paragraph 28 (1):110-115.
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  • Humanism from an agonistic perspective: Themes from the work of Bonnie Honig.David Owen Mathew Humphrey - 2014 - Contemporary Political Theory 13 (2):168.
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  • Envisioning Autonomy through Improvising and Composing: Castoriadis visiting creative music education practice.Panagiotis A. Kanellopoulos - 2012 - Educational Philosophy and Theory 44 (2):151-182.
    Do psychological perspectives constitute the only way through which the role of musical creativity in education can be addressed, researched and theorised? This essay attempts to offer an alternative view of musical creativity as a deeply social and political form of human praxis, by proposing a perspective rooted in the thought of the political philosopher and activist Cornelius Castoriadis (1922–1997). This is done in two steps. First, an attempt is made to place the pursuit of the concept of musical creativity (...)
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  • Humanism from an agonistic perspective: Themes from the work of Bonnie Honig.Mathew Humphrey, David Owen, Joe Hoover, Clare Woodford, Alan Finlayson, Marc Stears & Bonnie Honig - 2014 - Contemporary Political Theory 13 (2):168-217.
    This paper examines Honig’s use of Rancière in her book ‘Democracy and the Foreigner’. In seeking to clarify the benefits of ‘foreignness’ for democratic politics it raises the concern that Honig does not acknowledge the ways in which her own democratic cosmopolitanism may be more akin to Rancière’s police than politics. By challenging Honig’s assertion that democracy is usually read as a romance with the suggestion that it is more commonly read as a horror, I unpick the interstices of Honig’s (...)
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